Swaroop Raj Acharya's ' "Lagchha Timilai" was released on its scheduled release date, December 20, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Basanta Sapkota's "Mero Rajesh Dai (Original Motion Picture Soundtrack)" album is number 2 out of 3. On top of that, Nepal appears to be the country where this track was created. Based on our statistics, Lagchha Timilai's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Lagchha Timilai by Swaroop Raj Acharya to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Meri Maya Dui Chulthi | Udit Narayan, Deepa jha, Kamal Krishna | D♭ Major | 9 | 3B | 133 BPM | ||
| Dashain Tihar Jhilimili | Pratap Das, Prabisha Adhikari | A Major | 6 | 11B | 100 BPM | ||
| Manai Mero Changa Bho | Manila Sotang, Udaya Sotang | B Major | 6 | 1B | 132 BPM | ||
| Sunkai Bhau Chha | Shila Bahadur Moktan, Kunti Moktan | A Major | 6 | 11B | 160 BPM | ||
| Mul Hau Bhane | Hemant Sharma | G Major | 8 | 9B | 112 BPM | ||
| Kati Samjhaye | Adrian Pradhan | E Minor | 8 | 9A | 164 BPM | ||
| Aadhi Sari Timro Maya | Anjana Gurung, Swaroop Raj Acharya | B♭ Major | 9 | 6B | 89 BPM | ||
| Bachunjelilai | Lata Mangeshkar, Ram Krishna Dhakal | E♭ Major | 4 | 5B | 112 BPM | ||
| Lajalu Mayalu | Urgen Dong, Annu Chaudhary | C Major | 5 | 8B | 95 BPM | ||
| Maya Garaula | Asmita Adhikari, Saroj Oli | D♭ Minor | 8 | 12A | 115 BPM | ||
| Aankhama Gajal | Prashant Tamang, Mandavi Tripathi | F Major | 7 | 7B | 79 BPM | ||
| Banma Fulyo - Original | Milan Newar, NA | E Minor | 6 | 9A | 96 BPM | ||
| Paanko Paat | Krishna Bahadur Gandharva | D Major | 5 | 10B | 105 BPM | ||
| Aadhi Bato Hindepachhi | Manila Sotang (Lama), Uday Shotang | A♭ Minor | 6 | 1A | 102 BPM | ||
| Mann Saili | Aashusen Lama, Prashant Tamang | A Minor | 8 | 8A | 78 BPM | ||
| Ko Hola Mero | Asha Bhosle | A Major | 4 | 11B | 88 BPM | ||
| Bhulera Timro Maya | Puja Gurung, Swaroop Raj Acharya | D Major | 6 | 10B | 73 BPM | ||
| Maan Ko Baandh | Uday Sotang, Manila Sotang | D Major | 7 | 10B | 155 BPM | ||
| Sarara Sarara | Suresh Adhikari, Udit Narayan, Deepa Narayan Jha | G Major | 7 | 9B | 98 BPM | ||
| Maya Godawari Phool Fulyo | Deepa Narayan Jha, Udit Narayan Jha | D♭ Minor | 9 | 12A | 109 BPM | ||
| Oye Jhuma Jhumkawali | Pramod Kharel | F♯ Major | 8 | 2B | 108 BPM | ||
| Na Boleni Hasirakhana | Deepak Limbu | F Major | 5 | 7B | 156 BPM | ||
| Hamro Bato | Swaroop Raj Acharya | G Major | 6 | 9B | 105 BPM | ||
| Timra Baa Le Jwai Khoje | Ram Chandra Kafle, Junu Rijal Kafle | A Major | 7 | 11B | 195 BPM | ||
| Royerai Basau Ki | Ram Krishna Dhakal | C Major | 6 | 8B | 76 BPM |