"Taking It All In" by Anna Meredith had its release date on January 19, 2024. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "The End We Start From (Original Motion Picture Soundtrack)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Taking It All In is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Taking It All In by Anna Meredith having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prophet | Phil France | F♯ Minor | 4 | 11A | 137 BPM | ||
| Four Hands | Nils Frahm | B♭ Minor | 2 | 3A | 51 BPM | ||
| Knee 5 | Philip Glass Ensemble | G Major | 1 | 9B | 99 BPM | ||
| Archid Orange Dwarf | Hannah Peel | E Major | 4 | 12B | 108 BPM | ||
| Monos | Mica Levi | F♯ Major | 3 | 2B | 121 BPM | ||
| HoursDaysMonthsSeasons - Olga Wojciechowska Rework | Nathan Fake, Olga Wojciechowska | F Minor | 1 | 4A | 79 BPM | ||
| Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM | ||
| Illusion Of Time | Daniel Avery, Alessandro Cortini | A Major | 3 | 11B | 132 BPM | ||
| Suite Bergamasque: Clair de Lune, No. 3 | Isao Tomita | D♭ Major | 1 | 3B | 76 BPM | ||
| Blue | Elori Saxl | G Minor | 4 | 6A | 144 BPM | ||
| Hammers | Nils Frahm | B♭ Minor | 5 | 3A | 136 BPM | ||
| Scattered Light | Jane Antonia Cornish, Hamilton Berry | A Major | 2 | 11B | 108 BPM | ||
| Bubble Gun (Arr. Ross) | Anna Meredith, Jess Gillam, Jess Gillam Ensemble | F Minor | 3 | 4A | 133 BPM | ||
| As Light Moves | Jim Perkins | B Minor | 1 | 10A | 76 BPM | ||
| Kindly Static | Qasim Naqvi | F Major | 0 | 7B | 138 BPM | ||
| Wing Cave | Anna Meredith | A Major | 1 | 11B | 175 BPM | ||
| Suspirium (Arr. Rimmer) | Jess Gillam, Jess Gillam Ensemble | D♭ Minor | 0 | 12A | 93 BPM | ||
| #3 (Rhubarb) | Brendan Eder Ensemble | F♯ Minor | 1 | 11A | 63 BPM | ||
| Heptapod B (Arr. Knoth) | Jóhann Jóhannsson, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer, Christian Badzura | E♭ Minor | 3 | 2A | 84 BPM | ||
| INTCAEB | Caterina Barbieri | A♭ Major | 2 | 4B | 62 BPM | ||
| We Head Out | Kronos Quartet, Laurie Anderson | F Minor | 4 | 4A | 140 BPM | ||
| Memory of Blue | Elori Saxl | A Minor | 3 | 8A | 96 BPM | ||
| Last Rose | Anna Meredith | C Major | 6 | 8B | 124 BPM | ||
| Childlike | Hania Rani | B♭ Major | 1 | 6B | 120 BPM | ||
| The Life of an Emperor | Penguin Cafe | G Minor | 2 | 6A | 120 BPM |