Like a Sick Eagle - 2024 Remastered Version by Charles Ives, Gregg Smith, Gregg Smith Singers, Adrienne Albert, Raymond Beegle, Columbia Chamber Ensemble Song Details

"Like a Sick Eagle - 2024 Remastered Version" by Charles Ives, Gregg Smith, Gregg Smith Singers, Adrienne Albert, Raymond Beegle, Columbia Chamber Ensemble had its release date on 1969. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Like a Sick Eagle - 2024 Remastered Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "New Music of Charles Ives - 17 Recordings for Solo Voice, Chorus and Chamber Orchestra (2024 Remastered Version)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Like a Sick Eagle - 2024 Remastered Version is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Like a Sick Eagle - 2024 Remastered Version by Charles Ives, Gregg Smith, Gregg Smith Singers, Adrienne Albert, Raymond Beegle, Columbia Chamber Ensemble having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -17.259 dB
Acousticness: 99%
Danceability: 30%
Energy: 11%
Instrumentalness: 7%
Liveness: 4%
Loudness: 71%
Speechiness: 3%
Valence: 6%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Wood Notes: II. Autumn Night: Lightly	William Grant Still, Fort Smith Symphony, John Jeter	D Minor	0	7A	65 BPM
Sonate, Op. 71: II. Nocturne – Presque adagio	Charles Koechlin, Julien Hardy, Simon Zaoui	E♭ Major	0	5B	77 BPM
Langsamer Satz (Arr. G. Schwarz for string orchestra)	Anton Webern, Seattle Symphony Orchestra, Gerard Schwarz	F Major	3	7B	143 BPM
Violin Concerto in D Major, Op. 35: II. Romanze. Andante	Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi	G Major	0	9B	86 BPM
Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2)	Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon	F♯ Minor	3	11A	129 BPM
Symphony No. 4: III. Fugue. Andante moderato	Charles Ives, Los Angeles Philharmonic, Gustavo Dudamel	C Major	1	8B	138 BPM
I. Thème. Modéré	Olivier Messiaen, Benjamin Frith, Lucy Gould	C Minor	0	5A	84 BPM
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus	Olivier Messiaen, Lucas Debargue, Torleif Thedéen	E Major	0	12B	81 BPM
Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio	Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik	E♭ Minor	3	2A	60 BPM
Four Orchestral Pieces Op. 12 (Sz 51): II. Scherzo: Allegro	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
Piano Concerto No. 1, Op. 45: I. Con grandezza	Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu	G Major	1	9B	70 BPM
Ionisation	Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee	A Major	6	11B	128 BPM
Symphony No. 2, Op. 132, "Mysterious Mountain": II. Double Fugue	Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz	F♯ Major	0	2B	88 BPM
Mathis der Maler Symphony: II. Grablegung	Paul Hindemith, Berliner Philharmoniker, Claudio Abbado	A♭ Minor	0	1A	87 BPM
Sibelius: Symphony No. 1 in E Minor, Op. 39: II. Andante, ma non troppo lento	Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra	C Major	2	8B	109 BPM
Music for Strings, Percussion and Celesta, Sz. 106: 1. Andante tranquillo	Béla Bartók, Berliner Philharmoniker, Herbert von Karajan	B♭ Major	0	6B	71 BPM
4 Ragtime Dances: No. 1, —	Charles Ives, Orchestra New England, James Sinclair	G Major	0	9B	173 BPM
4 Orchestral Pieces, Sz. 51: IV. Marcia funebre. Maestoso	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
Deux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. Moderato	Einojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck	A Minor	1	8A	92 BPM
Respighi: Trittico botticelliano, P. 151: I. La Primavera	Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields	A Major	2	11B	137 BPM
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus	Olivier Messiaen, Lucas Debargue	E Major	0	12B	76 BPM
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): I. My Ship: Andante misterioso	Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop	C Major	0	8B	73 BPM
Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin)	Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder	A Major	0	11B	88 BPM
Symphony No. 5, Op. 50: Ib. Adagio	Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi	G Major	3	9B	117 BPM
They Are There!, third take	Charles Ives	B♭ Minor	3	3A	109 BPM