Erased's ' "Suburban Mentality" was released on its scheduled release date, April 7, 2015. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Suburban Mentality's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lesra, Erased's "Lesra/ErasedSplit" album is number 7 out of 11. The popularity of Suburban Mentality is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Suburban Mentality by Erased to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In The Night Ov Dying Angels | Murder Rate | F♯ Major | 9 | 2B | 80 BPM | ||
| Blood Rush | Who I Am | C Major | 8 | 8B | 140 BPM | ||
| Lapse of Judgement | Place Blame | D♭ Major | 9 | 3B | 80 BPM | ||
| Tears | Erased | D♭ Minor | 6 | 12A | 110 BPM | ||
| Hangnail | Illusionist | D♭ Major | 9 | 3B | 138 BPM | ||
| NO PATIENCE FOR BULLSHIT | Restricted US, Ritual of Despair | D♭ Major | 9 | 3B | 182 BPM | ||
| Old Habits | Bishop | D♭ Major | 9 | 3B | 152 BPM | ||
| Clandestine | Twopointone | D♭ Minor | 9 | 12A | 171 BPM | ||
| Hell That Was Promised | Unreal City | D♭ Major | 9 | 3B | 182 BPM | ||
| Despair (2026) | Homewards | D♭ Major | 9 | 3B | 182 BPM | ||
| Believe in Me | Elephantis | E Minor | 10 | 9A | 95 BPM | ||
| 1984 | Special Move | D Major | 9 | 10B | 182 BPM | ||
| In Wake of It's Necessity | Price of Redemption | A Major | 10 | 11B | 147 BPM | ||
| Durhaka | REPENTLESS | G Major | 10 | 9B | 160 BPM | ||
| Iron Heart | Carpathian | F♯ Major | 10 | 2B | 142 BPM | ||
| The Good Die Young | Betrayal | G Major | 10 | 9B | 195 BPM | ||
| Dmt | Illusionist | F♯ Major | 10 | 2B | 170 BPM | ||
| Nineteen Years Young | The Carrier | D Minor | 9 | 7A | 74 BPM | ||
| No Echoes , Well Excuse Me, Princess, Joe "Mosh" McCann (Nothing Left To Mourn) & Two-Piece) | Fail You, Nikki Samps (Casting Ships), Well Excuse Me, Princess, Joe "Mosh" McCann (Nothing Left To Mourn), Two-Piece | D♭ Major | 9 | 3B | 182 BPM | ||
| Burn | BrokenShaft断轴 | C Minor | 10 | 5A | 103 BPM | ||
| The Days You've Come To Fear | Sinking Ships | F♯ Minor | 10 | 11A | 113 BPM | ||
| Last Remaining Pride | Plague | G Major | 10 | 9B | 87 BPM | ||
| Jokes on You | BADWAVE VALKAL | D♭ Major | 9 | 3B | 182 BPM | ||
| Outro | Savage Primal Impulse | D Major | 9 | 10B | 113 BPM | ||
| Despondency | Fate's Hand | D♭ Major | 9 | 3B | 165 BPM |