Jon Everist, Paradox Interactive's 'The Argo' had a release date set for April 24, 2018. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. The Argo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 48 in Battletech (Original Game Soundtrack) by Jon Everist, Paradox Interactive. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, The Argo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Argo by Jon Everist, Paradox Interactive is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Don't Follow | Wilfred Rockell, Maendi | D Major | 2 | 10B | 62 BPM | ||
| Reunited | Geoff Knorr | F Major | 3 | 7B | 122 BPM | ||
| Here Be Dragons! | Stephen Barton | F Major | 5 | 7B | 109 BPM | ||
| Run and Reload | Borislav Slavov, Victor Stoyanov | F♯ Major | 4 | 2B | 125 BPM | ||
| Dark Carnival | Soundscape | A♭ Major | 4 | 4B | 133 BPM | ||
| Struggle | Conor Randon, Moblodok | B Major | 1 | 1B | 63 BPM | ||
| The Shepherd | Piotr Musiał | A Minor | 3 | 8A | 85 BPM | ||
| Fan Out | Jon Everist, Paradox Interactive | A Minor | 1 | 8A | 74 BPM | ||
| Quest | Phase Drift | G Major | 8 | 9B | 84 BPM | ||
| Into the Worldwound | Dmitry V. Silantyev | G Major | 4 | 9B | 81 BPM | ||
| Lex Imperialis | Nikolay Filipovich | B Minor | 4 | 10A | 69 BPM | ||
| Warrior Princess Gara | Eternal Slavic Epic Music | A Major | 7 | 11B | 120 BPM | ||
| Direcciones | gamma | D♭ Minor | 1 | 12A | 110 BPM | ||
| Through the Hollow Earth | Simon Poole | F Major | 1 | 7B | 64 BPM | ||
| Fading Hope | Alexei Zakharov | G Minor | 3 | 6A | 160 BPM | ||
| Garoran | e.hillman | D♭ Major | 6 | 3B | 133 BPM | ||
| A Brief Respite (Camp Theme) | Stuart Chatwood | D Major | 3 | 10B | 66 BPM | ||
| Vaygr Bombers Approaching | Paul Ruskay | D♭ Major | 1 | 3B | 68 BPM | ||
| Cambia | Matthias Mothroni, Matthiando | G Major | 1 | 9B | 68 BPM | ||
| Combat & Extras: Combat - High Intensity - Engagement - Section 4 | Erasmus Talbot | G Minor | 6 | 6A | 145 BPM | ||
| I Kept Waiting | Petri Alanko | A Minor | 3 | 8A | 130 BPM | ||
| Biskupin | Gaute Storaas, Bratislava Symphony Orchestra | F♯ Major | 0 | 2B | 121 BPM | ||
| Heart of the Machine | Maclaine Diemer | C Minor | 2 | 5A | 131 BPM | ||
| Darkest Dungeon (Theme) | Stuart Chatwood | A Minor | 5 | 8A | 77 BPM | ||
| The BattleScene II | Arnaud Roy | F Minor | 3 | 4A | 122 BPM |