Shrikant Narayan's ' "Vlhav Re Nakhava" was released on its scheduled release date, September 22, 1988. This song is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in Various Artists's "Larki Sun Vesavchi" album is number 1 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Vlhav Re Nakhava is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Vlhav Re Nakhava by Shrikant Narayan to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alavito Mi He Shri Gana | Sandeep More | F Minor | 10 | 4A | 95 BPM | ||
| Sanai Cha Sur Kasa | Swapnil Bandodkar | F Major | 8 | 7B | 142 BPM | ||
| Bhimrayacha Mala | Vitthal Umap | F Major | 5 | 7B | 158 BPM | ||
| Chala Jejurila Jaoo | Uttara Kelkar | F♯ Major | 7 | 2B | 90 BPM | ||
| Baay Mazya Sat Jani Maulya | Ashish Mhatre | D♭ Major | 7 | 3B | 120 BPM | ||
| Palkhi Nighali Sainchi Mi Nighalo Shirdla | Sai bhakti, Rajesh Ranshur | C Minor | 8 | 5A | 128 BPM | ||
| San Aaylay Go Narali Punvecha | Jolly Mukherjee | D♭ Major | 8 | 3B | 150 BPM | ||
| Police Wala - Cycle Wala | Shabbir Kumar, Usha Mangeshkar | A Major | 9 | 11B | 170 BPM | ||
| Maze Vitthal Rakhumai | Rahul Deshpande | D Minor | 6 | 7A | 97 BPM | ||
| Maludevachya Dwari Ga | Shakuntala Jadhav, Shrikant Narayan, Shashikant Mumbre, Mangesh Datta | A Major | 6 | 11B | 117 BPM | ||
| 40 Nonstop Superhit Koligeet | Shrikant Narayan, Shakuntala Jadhav, Swapnil Bandodkar, Shashikant Mumbre, Anant Panchal, Chandrakala Dasri, Trupti Chavan | D♭ Minor | 9 | 12A | 100 BPM | ||
| Nath Maza Kalbhairi Avtaar Shivacha | Shakuntala Jadhav | F♯ Major | 8 | 2B | 127 BPM | ||
| Shirdicha Raja | Rahul Lehnar | D♭ Major | 8 | 3B | 80 BPM | ||
| Malhari Pivala Jhala | Vijay Sartape | D♭ Major | 6 | 3B | 104 BPM | ||
| Aamhi Gondhali Gondhali Gondhal | Shahir Sable | E♭ Minor | 7 | 2A | 113 BPM | ||
| Daryala Aaylay Taaru | Shrikant Narayan | F♯ Major | 8 | 2B | 169 BPM | ||
| Ekvira Deviche Maay Maauliche | Uttara Kelkar | E♭ Major | 8 | 5B | 75 BPM | ||
| Bilnashi Nagin Nighali, Laal Laal Pagote, Vlhav Re Nakhwa, Paaru Go Paaru .Tuja Go Paplet, Vinchu Chawla, Govinda Re Gopala, Jejurichya Khanderaya | Anuradha Paudwal, Jaywant Kulkarni, Anand Shinde, Uttara Kelkar, Vinay Mandke, Arun Engal, Shrikant Narayan, Santosh Nayak, Vaishali Samant, Kaustubh Dataar, Shankar Patil, Shakuntala Jadhav | A♭ Major | 4 | 4B | 79 BPM | ||
| Ya Pundalikacha Ladka Hari | Shrikant Narayan | B♭ Minor | 10 | 3A | 103 BPM | ||
| Yeshil Yeshil Rani | Arun Date | C Major | 5 | 8B | 201 BPM | ||
| Ya Go Dandyavarna | Mangesh Datta | A♭ Minor | 4 | 1A | 103 BPM | ||
| Aai Majhi Konala Pavli | Mangesh Datta | B♭ Minor | 7 | 3A | 125 BPM | ||
| Aai Tuza Dongar | Amol Jadhav, Akash Shejale, Manoj Kadam | B♭ Minor | 8 | 3A | 90 BPM | ||
| Chhati Thok Hey Saangu Jagala | Sonu Nigam | A♭ Major | 6 | 4B | 53 BPM | ||
| Mandirat Antarat | Sudhir Phadke, Uttara Kelkar | E♭ Major | 6 | 5B | 129 BPM |