"To Volterra" by Alexandre Desplat had its release date on November 20, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 21 in the song's album "The Twilight Saga: New Moon (The Score)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Based on our statistics, To Volterra's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With To Volterra by Alexandre Desplat having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Choices - From the Netflix Series “Bridgerton Season Two” | Kris Bowers | G Minor | 0 | 6A | 84 BPM | ||
| A Wolf Stands Up (From "The Twilight Saga: Breaking Dawn| Pt .1") | The City of Prague Philharmonic Orchestra | D♭ Major | 4 | 3B | 138 BPM | ||
| Simple Harp Variation No. 1 | Martin Phipps | A♭ Minor | 1 | 1A | 101 BPM | ||
| Elisabeth or no other | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | D Major | 3 | 10B | 49 BPM | ||
| Dying Soul | Antonio Pinto | A♭ Minor | 3 | 1A | 100 BPM | ||
| Fading | Antonio Pinto | B Minor | 0 | 10A | 59 BPM | ||
| The Good Queen | Mark Isham, Cindy O'Connor | C Major | 1 | 8B | 75 BPM | ||
| Gloria Joins | John Powell | B Minor | 1 | 10A | 96 BPM | ||
| Soul Outside | Antonio Pinto | D♭ Minor | 2 | 12A | 87 BPM | ||
| Maria's Sacrifice | Christian Henson | G Major | 3 | 9B | 80 BPM | ||
| We're Dark Fey | Geoff Zanelli | B Minor | 3 | 10A | 84 BPM | ||
| Buckbeak's Flight | John Williams | F♯ Major | 3 | 2B | 90 BPM | ||
| Atonement | Dario Marianelli, Jean-Yves Thibaudet, Benjamin Wallfisch, English Chamber Orchestra | A Major | 0 | 11B | 85 BPM | ||
| Underworld | Alexandre Desplat | F Major | 3 | 7B | 80 BPM | ||
| Victoria | Alexandre Desplat | B Minor | 0 | 10A | 76 BPM | ||
| Fight for the Light | Joseph Trapanese, The Budapest Art Orchestra | F Minor | 2 | 4A | 171 BPM | ||
| Roran Leaves | James Shearman | D Minor | 1 | 7A | 63 BPM | ||
| Ever After Main Title | George Fenton | G Minor | 1 | 6A | 89 BPM | ||
| Cracking The Chrysanthemums Cypher | Daniel Pemberton | D Minor | 2 | 7A | 102 BPM | ||
| Wolves V. Vampire | Alexandre Desplat | A♭ Major | 2 | 4B | 106 BPM | ||
| You Kill Her You Kill Me (From "The Twilight Saga: Breaking Dawn| Pt. 1") | The City of Prague Philharmonic Orchestra | D♭ Major | 4 | 3B | 152 BPM | ||
| Victoria | The Twilight Saga: New Moon | E Minor | 1 | 9A | 81 BPM | ||
| Lamia's Doll | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | A Major | 3 | 11B | 87 BPM | ||
| It's Not OK | George Kallis | D Minor | 1 | 7A | 81 BPM | ||
| Love Death Birth | Carter Burwell | G Major | 2 | 9B | 175 BPM |