W. H. Auden's 'The More Loving One' had a release date set for April 25, 2011. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of W. H. Auden Reads His Poems by W. H. Auden. The song's track number on the album is #15 out of 17 tracks. Based on our data, United States was the country where this track was produced or recorded. The More Loving One is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since The More Loving One by W. H. Auden has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The More Loving One being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lessons Learned in Moscow 17 | Rabbi Yoel Ferber | F Minor | 4 | 4A | 77 BPM | ||
| The Creation Of The Morning Line | Charles Bukowski | E♭ Major | 0 | 5B | 84 BPM | ||
| Bowery Blues (with Steve Allen) | Jack Kerouac | F Minor | 2 | 4A | 84 BPM | ||
| Black Hole | Chris Barrie | C Major | 2 | 8B | 58 BPM | ||
| Slaughterhouse 5, Pt. 2 and 3 | Kurt Vonnegut | F Minor | 1 | 4A | 90 BPM | ||
| Jonah and the Great Fish | Riley Weber | B♭ Minor | 3 | 3A | 105 BPM | ||
| Just so Stories: How the Whale Got His Throat | Rudyard Kipling, Ralph Fiennes | A♭ Major | 3 | 4B | 170 BPM | ||
| Be Ye Men Of Valour (Solemn Hour) [May 19th, 1940] | Winston Churchill | C Major | 3 | 8B | 80 BPM | ||
| Taken My Heart | ShowBoy | G Major | 1 | 9B | 112 BPM | ||
| Alice in Wonderland, Pt. 20 | Fairy Tales for Kids, Kids, Fairy Tales | F Minor | 2 | 4A | 86 BPM | ||
| Dualities | Spiritual Unfoldment with John Butler | D♭ Major | 3 | 3B | 118 BPM | ||
| Happiness Isn't Very Interesting | Nik_Poetry | C Major | 2 | 8B | 110 BPM | ||
| Come My Side | Dondizzy | D♭ Major | 3 | 3B | 105 BPM | ||
| Chapter 18: Tina In Danger | Bibi and Tina | E Major | 3 | 12B | 89 BPM | ||
| Resonating with Presence | Eckhart Tolle | G Minor | 5 | 6A | 59 BPM | ||
| Wind Through Leaves | Spiritual Unfoldment with John Butler | D♭ Major | 1 | 3B | 86 BPM | ||
| The Canonization | Richard Burton | A Minor | 2 | 8A | 66 BPM | ||
| Kapitel 8.3 & Kapitel 9.1 - Adolf Hitler | Clemens von Lengsfeld | D Minor | 4 | 7A | 93 BPM | ||
| Lesson 4a | Kieran Ball | A♭ Major | 0 | 4B | 78 BPM | ||
| The Waste Land | T. S. Eliot, Robert Speaight | A♭ Major | 0 | 4B | 168 BPM | ||
| Teil 4 - Folge 2: Das Geheimnis der gelben Narzissen | Edgar Wallace - Filmedition, Edgar Wallace, Basil Dawson, Joachim Fuchsberger, Sabina Sesselmann, Klaus Kinski, Ingrid van Bergen, Albert Lieven, Christopher Lee, Fritz von Hardenberg | D♭ Major | 4 | 3B | 124 BPM | ||
| Intro to The Haunted and the Hunters | Alfred Hitchcock | A Minor | 0 | 8A | 107 BPM | ||
| Teach Me How to Dance | REU BILLION | A♭ Minor | 1 | 1A | 136 BPM | ||
| Love Is Not All | Edna St. Vincent Millay | E Major | 1 | 12B | 81 BPM | ||
| CHAPTER 10 END | Speed rail | A Minor | 0 | 8A | 131 BPM |