Rita Reys, Dutch Swing College Band's ' "After You've Gone" was released on its scheduled release date, January 1, 1963. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Dutch Swing College Band, Rita Reys's "Jazz Sir, That's Our Baby" album is number 6 out of 12. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, After You've Gone is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of After You've Gone by Rita Reys, Dutch Swing College Band to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Song in the Matchbook | Miles Laroque | C Major | 2 | 8B | 82 BPM | ||
| Rye in Blue | Monochrome Silence | C Major | 2 | 8B | 80 BPM | ||
| She walks in slow, the crowd divides | Intimate Vibes | C Major | 2 | 8B | 75 BPM | ||
| Let There Be Love | Annie Ross, Gerry Mulligan Quartet | A♭ Major | 2 | 4B | 119 BPM | ||
| Monochrome Reverie | Crying Mirror | E♭ Major | 3 | 5B | 73 BPM | ||
| Pergola Interlude | Polaroid Sessions | E♭ Major | 3 | 5B | 73 BPM | ||
| Copper Arcade Waltz | marss ala | F Major | 3 | 7B | 69 BPM | ||
| No Sad Songs for Me | George Robinson | D♭ Major | 4 | 3B | 75 BPM | ||
| I've Grown Accustomed To Your Face | Annie Ross, Gerry Mulligan Quartet | A♭ Major | 1 | 4B | 121 BPM | ||
| I've Got The World On A String | Pim Jacobs Trio | C Major | 5 | 8B | 119 BPM | ||
| Umbrella at Colonnade | walkin around jazz | G Minor | 3 | 6A | 81 BPM | ||
| All I Want Is You - Latin Style | Ella Fitz, Blues Delight, JAYA, Laza Bossa | G Minor | 1 | 6A | 102 BPM | ||
| Deep Purple | Terry Waldo, Tatiana Eva-Marie | G Minor | 1 | 6A | 108 BPM | ||
| Swing all’Italiana | Dolce Vita | G Minor | 3 | 6A | 78 BPM | ||
| Remember Clifford | Austyn Ziemann | E♭ Major | 0 | 5B | 70 BPM | ||
| Herodes song | Jaime Espinosa | B♭ Minor | 2 | 3A | 123 BPM | ||
| The Taste of Morning | Timeless Tone | C Major | 2 | 8B | 112 BPM | ||
| None of Us | Monika Ryan | A Minor | 3 | 8A | 138 BPM | ||
| Mood | Tessa Souter | F♯ Minor | 2 | 11A | 150 BPM | ||
| Brooklyn Sunset Stroll | Manhattazz | E♭ Major | 3 | 5B | 110 BPM | ||
| Diamond Smile | Timeless Tone | F Minor | 2 | 4A | 117 BPM | ||
| ペニーズ・フロム・ヘヴン | ジュラ・デ・パルマ | G Minor | 3 | 6A | 129 BPM | ||
| A House Is Not a Home | Rita Reys | E Major | 0 | 12B | 112 BPM | ||
| My Town And Me | Soesja Citroen, Michael Moore | A Minor | 3 | 8A | 124 BPM | ||
| Backroom Serenade | Polaroid Sessions | C Minor | 2 | 5A | 72 BPM |