Nicholas Britell's 'Thirty Shifts Later' had a release date set for November 4, 2022. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Thirty Shifts Later's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 27 in Andor: Vol. 2 (Episodes 5-8) [Original Score] by Nicholas Britell. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Thirty Shifts Later is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Thirty Shifts Later by Nicholas Britell is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Welcome to the Rebellion | Brandon Roberts | D Major | 5 | 10B | 100 BPM | ||
| Hostile Takeover | Leopold Ross | G Major | 2 | 9B | 60 BPM | ||
| Andor (Main Title Theme) - Episode 8 | Grace Davidson | B♭ Minor | 1 | 3A | 84 BPM | ||
| Last Request | Atli Örvarsson | G Minor | 2 | 6A | 72 BPM | ||
| Good Question | Danny Bensi and Saunder Jurriaans, Chase Deso | D Minor | 1 | 7A | 132 BPM | ||
| Training | Mychael Danna, Harry Gregson-Williams | A Major | 2 | 11B | 115 BPM | ||
| Tomorrow | Nicholas Britell | C Major | 7 | 8B | 75 BPM | ||
| All Men Can Be Broken | Atticus Ross, Leopold Ross, Nick Chuba | A♭ Minor | 1 | 1A | 173 BPM | ||
| Point of No Return | Brunon Lubas | A Major | 3 | 11B | 180 BPM | ||
| Welcome to Hawthorne | Colin Stetson, Chloe Eustache, Greg Fox, Matt Combs | B♭ Major | 3 | 6B | 112 BPM | ||
| The Shakes | Andrew Hulshult | D Minor | 3 | 7A | 140 BPM | ||
| Louville | Clint Mansell | G Major | 1 | 9B | 67 BPM | ||
| Corpos | Nicholas Britell | B Major | 0 | 1B | 66 BPM | ||
| Storm Approaching | Rob Simonsen | C Major | 2 | 8B | 114 BPM | ||
| The Fireworks | The Great Vorelli | F♯ Minor | 2 | 11A | 143 BPM | ||
| Trouble on the Horizon | Ilan Eshkeri | B♭ Major | 5 | 6B | 94 BPM | ||
| Time to Go, Kay | Wilbert Roget, II | A Major | 0 | 11B | 71 BPM | ||
| Sophon | Ramin Djawadi | B♭ Minor | 2 | 3A | 111 BPM | ||
| This Is My Show Now | Steven Price | F♯ Major | 3 | 2B | 104 BPM | ||
| Mothership | Takeshi Furukawa | C Major | 0 | 8B | 100 BPM | ||
| Solo Flight | Christophe Beck | C Minor | 0 | 5A | 85 BPM | ||
| Nothing Is Certain | Max Aruj, Alfie Godfrey | D♭ Major | 2 | 3B | 93 BPM | ||
| We've Made Our Choice | Brandon Roberts | C Major | 5 | 8B | 80 BPM | ||
| Inner Planets | Anže Rozman, Andrew Christie | A Major | 1 | 11B | 72 BPM | ||
| Really Old Nick | Hildur Guðnadóttir | D Minor | 3 | 7A | 140 BPM |