Mark Fry's 'Sweet Nothings' had a release date set for January 4, 2008. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Shooting The Moon". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Sweet Nothings is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Sweet Nothings by Mark Fry having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Know Why You Bother Child | Gary Farr | F Minor | 5 | 4A | 125 BPM | ||
| Down Narrrow Streets | Mark Fry | A Major | 4 | 11B | 143 BPM | ||
| I Knew Her Well | Sandy Harless | G Major | 4 | 9B | 72 BPM | ||
| How Sad, How Lovely | Connie Converse | E Minor | 1 | 9A | 83 BPM | ||
| The Paisley Window Pane | Wendy & Bonnie | A Major | 2 | 11B | 94 BPM | ||
| A Message to Pretty - Stereo Version | Love | G Major | 5 | 9B | 101 BPM | ||
| Hey, Who Really Cares | Linda Perhacs | C Minor | 2 | 5A | 132 BPM | ||
| The Courtyard | Simon Finn | D♭ Major | 4 | 3B | 162 BPM | ||
| Gentle Thursday | Music Emporium | E Minor | 2 | 9A | 97 BPM | ||
| Jamais À L'Heure | Mark Fry | A Major | 1 | 11B | 143 BPM | ||
| Paper Mountain Man | Linda Perhacs | F♯ Minor | 4 | 11A | 111 BPM | ||
| Bright Lit Blue Skies | The Rising Storm | G Major | 5 | 9B | 133 BPM | ||
| London Town | Donovan | F♯ Minor | 4 | 11A | 141 BPM | ||
| April Suzanne | Robert Lester Folsom | C Major | 5 | 8B | 64 BPM | ||
| Winter's Going | Bonnie Dobson | B♭ Major | 3 | 6B | 91 BPM | ||
| Cynicrustpetefredjohn Raga | Fred Neil | D Major | 5 | 10B | 131 BPM | ||
| Glad You're Here With Me | Papa M | C Major | 3 | 8B | 85 BPM | ||
| Parallelograms | Linda Perhacs | F Major | 2 | 7B | 110 BPM | ||
| Sweet England | Shirley Collins | E Major | 2 | 12B | 142 BPM | ||
| See It Through | Chayns | A Major | 6 | 11B | 100 BPM | ||
| Past the Point of Caring | Doug Firebaugh | E Major | 3 | 12B | 82 BPM | ||
| Shadows of You | Kenny Brent, Donna Harris | D Major | 5 | 10B | 117 BPM | ||
| Coming Down from the Ceiling | Kinloch Nelson | D♭ Major | 3 | 3B | 117 BPM | ||
| Not On The Radar - Demo | Mark Fry | D♭ Major | 2 | 3B | 117 BPM | ||
| Canary Island Rain | Tucker Zimmerman | C Major | 1 | 8B | 171 BPM |