George Strait's ' "Hollywood Squares" was released on its scheduled release date, January 1, 1989. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Hollywood Squares's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 10 in Beyond The Blue Neon by George Strait. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Hollywood Squares's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Hollywood Squares by George Strait is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Drinkin' and Drivin' | Johnny Paycheck | G Major | 5 | 9B | 134 BPM | ||
| Lefty's Gone | George Strait | A Major | 2 | 11B | 103 BPM | ||
| Watching My Baby Not Coming Back | David Ball | A Major | 8 | 11B | 130 BPM | ||
| I'm Ready If You're Willing | Chris LeDoux | D♭ Minor | 7 | 12A | 166 BPM | ||
| Got No Reason Now For Goin' Home | Gene Watson | G Major | 5 | 9B | 157 BPM | ||
| I Was Born with a Broken Heart | Aaron Tippin | F Major | 4 | 7B | 116 BPM | ||
| Your Love's On the Line | Earl Thomas Conley | G Major | 6 | 9B | 110 BPM | ||
| Walkin' Away | Diamond Rio | D Major | 6 | 10B | 120 BPM | ||
| You Could've Heard a Heart Break | Johnny Lee | D Major | 4 | 10B | 116 BPM | ||
| Lonely At The Top | Jamey Johnson | A Major | 6 | 11B | 117 BPM | ||
| Holding Her and Loving You | Earl Thomas Conley | G Major | 3 | 9B | 126 BPM | ||
| It Ain't Nothin' | Keith Whitley | A Major | 3 | 11B | 119 BPM | ||
| The Pleasure's All Mine | Ken Mellons | C Major | 4 | 8B | 89 BPM | ||
| Fourteen Gears | Midland | D Major | 9 | 10B | 144 BPM | ||
| If You've Got Love | John Michael Montgomery | G Major | 6 | 9B | 126 BPM | ||
| Live Until I Die | Clay Walker | E♭ Major | 6 | 5B | 133 BPM | ||
| I Don't Remember Loving You | John Conlee | D♭ Major | 6 | 3B | 160 BPM | ||
| Under This Old Hat | Chris LeDoux | A Major | 6 | 11B | 174 BPM | ||
| Rope the Moon | John Michael Montgomery | G Major | 4 | 9B | 82 BPM | ||
| Joe Knows How To Live | Eddy Raven | E Major | 4 | 12B | 113 BPM | ||
| Every Cowboy's Dream | Rhett Akins | D Major | 7 | 10B | 199 BPM | ||
| Remember The Ride | Perfect Stranger | G Major | 5 | 9B | 79 BPM | ||
| One Promise Too Late | Reba McEntire | C Major | 3 | 8B | 79 BPM | ||
| Making Ends Meet | Chris LeDoux | E Major | 4 | 12B | 73 BPM | ||
| Country Party | Johnny Lee | D Major | 7 | 10B | 141 BPM |