On January 1, 1997, the song "The Morning Sad" was released by Veruca Salt. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 14 in Eight Arms To Hold You by Veruca Salt. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Morning Sad is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Morning Sad by Veruca Salt is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Superball | Helium | C Minor | 7 | 5A | 107 BPM | ||
| Jenny Come On | Dressy Bessy | F♯ Minor | 6 | 11A | 127 BPM | ||
| I Can't Stop Smiling | Velocity Girl | D♭ Minor | 6 | 12A | 111 BPM | ||
| Rattle | Splendora | E♭ Major | 7 | 5B | 80 BPM | ||
| Here and Now | Letters To Cleo | A Major | 9 | 11B | 115 BPM | ||
| Dusted | Belly | E Minor | 8 | 9A | 196 BPM | ||
| Shrapnel | Ednaswap | F♯ Major | 10 | 2B | 121 BPM | ||
| Yeah | Lunachicks | F♯ Minor | 10 | 11A | 116 BPM | ||
| Sunset Strip | Courtney Love | G Major | 9 | 9B | 128 BPM | ||
| Graffiti | Throwing Muses | G Major | 4 | 9B | 119 BPM | ||
| All Messed Up | Louise Post, Veruca Salt | D Major | 6 | 10B | 140 BPM | ||
| Eating Toothpaste | Bratmobile | A Minor | 10 | 8A | 170 BPM | ||
| How to Play Dead | Sleater-Kinney | D Major | 10 | 10B | 146 BPM | ||
| Supreme Nothing | Tiger Trap | G Major | 8 | 9B | 136 BPM | ||
| Alone | Lisa Loeb & Nine Stories | B♭ Major | 7 | 6B | 148 BPM | ||
| Only You Know | Veruca Salt | D Major | 2 | 10B | 127 BPM | ||
| The All-consumer | Velocity Girl | A♭ Major | 9 | 4B | 163 BPM | ||
| Gimme Brains | Bratmobile | F Major | 10 | 7B | 165 BPM | ||
| Strawberry Julius | Bikini Kill | G Major | 10 | 9B | 151 BPM | ||
| I See | Letters To Cleo | G Major | 8 | 9B | 112 BPM | ||
| I'd Rather Eat Glass | Excuse 17 | E♭ Minor | 6 | 2A | 127 BPM | ||
| Never Gonna Be The Same | Courtney Love | C Major | 8 | 8B | 129 BPM | ||
| Making Hate | Feline | C Major | 8 | 8B | 138 BPM | ||
| Take Me to the Backseat | The Donnas | D Major | 9 | 10B | 168 BPM | ||
| Do You Like Me Like That | Bratmobile | F Major | 10 | 7B | 165 BPM |