George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's ' "Thus Saith The Lord Of Hosts - Live" was released on its scheduled release date, January 1, 1987. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 5 out of 54. On top of that, United States appears to be the country where this track was created. Thus Saith The Lord Of Hosts - Live is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Thus Saith The Lord Of Hosts - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": I. Vivace – Grave | Arcangelo Corelli, The English Concert, Trevor Pinnock | F♯ Minor | 0 | 11A | 74 BPM | ||
| The Three Kings | Choir of King's College, Cambridge, Sir David Willcocks | A♭ Major | 1 | 4B | 78 BPM | ||
| Comfort Ye, My People | The Choir and Orchestra of Pro Christe | B Major | 0 | 1B | 87 BPM | ||
| Messiah, HWV 56 / Pt. 2: He Was Despised | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Alfreda Hodgson | E♭ Major | 1 | 5B | 75 BPM | ||
| Oratorio de Noël, Op. 12: Air. Domine, ego credidi (Tenor, Chorus) | Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann | A Minor | 1 | 8A | 70 BPM | ||
| Ave Maria | Camille Saint-Saëns, Antonia Bourvé, Gundula Schneider, Romano Giefer, Les Favorites, Holger Speck | B Major | 2 | 1B | 82 BPM | ||
| Oratorio de Noël, Op. 12: No. 4 Domine, ego credidi | Camille Saint-Saëns, Marcus Ullmann, Romano Giefer, Vocalensemble Rastatt, Les Favorites, Holger Speck | A Minor | 0 | 8A | 172 BPM | ||
| Mass No.2 in G Major, D.167: IV. Sanctus | Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra | F Major | 0 | 7B | 159 BPM | ||
| Messiah, HWV 56 / Pt. 1: 11. "The people that walked in darkness" | George Frideric Handel, John Tomlinson, The English Concert, Trevor Pinnock, The English Concert Choir | B♭ Minor | 0 | 3A | 132 BPM | ||
| Ceremony of Carols, Op.28: Procession | Benjamin Britten, Choir of King's College, Cambridge, Rachel Masters, Stephen Cleobury | A Major | 0 | 11B | 74 BPM | ||
| Alma Redemptoris Mater - Ed. J. Dixon | Giovanni Pierluigi da Palestrina, Julian Podger, The Monteverdi Choir, John Eliot Gardiner | E♭ Major | 0 | 5B | 133 BPM | ||
| Requiem in D Minor, K. 626: V. Sanctus | Wolfgang Amadeus Mozart, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 2 | 6B | 92 BPM | ||
| Nun komm, der Heiden Heiland, Cantata BWV 61: No. 1 "Nun komm, der Heiden Heiland" | Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | A♭ Minor | 3 | 1A | 90 BPM | ||
| Traditional: I Saw Three Ships Come Sailing By (Orch. Mackerras) | Traditional, Elisabeth Schwarzkopf, Ambrosian Singers, Sir Charles Mackerras, Philharmonia Orchestra | D Major | 2 | 10B | 92 BPM | ||
| Debussy: Noël des enfants qui n'ont plus de maison, CD 147, L. 139 | Claude Debussy, Jean-Paul Kreder, Ensemble vocal Jean-Paul-Kreder, Françoise Petit | F♯ Major | 0 | 2B | 113 BPM | ||
| Messiah: Part 1, The people that walked in darkness (Air, Bass) | The Sixteen | B♭ Minor | 1 | 3A | 83 BPM | ||
| Oratorio de Noël, Op. 12: Quintet and Chorus. Consurge, Filia Sion (Soprano, Soprano, Alto, Basso, Chorus) | Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann | G Major | 1 | 9B | 73 BPM | ||
| Messiah: Part 2, Why do the nations so furiously rage together? (Air, Bass) | The Sixteen | F♯ Major | 4 | 2B | 142 BPM | ||
| Magnificat, BWV 243a: Magnificat, BWV 243a: I. Magnificat anima mea | Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent | D Major | 4 | 10B | 96 BPM | ||
| Hallelujah Chorus (from Christ on the Mount of Olives) | The Tabernacle Choir at Temple Square | C Major | 2 | 8B | 94 BPM | ||
| Magnificat in D Major, BWV 243: XII. Gloria Patri | Johann Sebastian Bach, Unknown, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | D Major | 2 | 10B | 178 BPM | ||
| XLII.&XLIII.Worthy is the lamb that was slain/Amen | London Philharmonic Orchestra | D Major | 3 | 10B | 84 BPM | ||
| Puer natus in Bethlehem | Samuel Scheidt, Stephen Cleobury, Choir of King's College, Cambridge | G Minor | 2 | 6A | 81 BPM | ||
| Messiah, HWV 56, Pt. 2: No. 22, Chorus. Behold the Lamb of God | George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 1 | 11A | 135 BPM | ||
| Requiem, Op. 9: II. Kyrie (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge | F Major | 1 | 7B | 84 BPM |