Ravindra Jain's ' "Bum Bum Bole Har Har Bhole" was released on its scheduled release date, February 20, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Shivratri Special Bhajan - Bum Bum Bhole". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Bum Bum Bole Har Har Bhole is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Bum Bum Bole Har Har Bhole by Ravindra Jain having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nagari Ho Ayodhya Si | Sadho The Band | F Major | 7 | 7B | 92 BPM | ||
| Panda Karaya Raho | Shahnaaz Akhtar | E♭ Minor | 7 | 2A | 116 BPM | ||
| Ram Naam Ke Heerey Moti Main Bikhraun Gali Gali | Shridhay Shri Mridul krishna shastri ji maharaj | G Minor | 6 | 6A | 143 BPM | ||
| Khatu Shyam Stuti (Hath Jod Vinti Karu Sunio Chit Lagaye) | Bhakti Bhajan Sangrah | A♭ Minor | 6 | 1A | 80 BPM | ||
| Shiv Ka Jhanda Ooncha Mahan | Brahma Kumari | F Major | 5 | 7B | 120 BPM | ||
| Ramkrishnahari | Balkrishna dada Vasantgadkar | A Minor | 7 | 8A | 127 BPM | ||
| Geeta Gyan 13 - Bhog Ke Karmon Ke Prarabhd Wo Mrityu Lok Mein Lot Ke Aaye | Ravindra Jain | F Minor | 3 | 4A | 99 BPM | ||
| Nirdhan Kahe Dhanwan Sukhi | Satyendra Pathak | C Minor | 6 | 5A | 100 BPM | ||
| Meri Bhavna | Rupak Jain, Chetna Shukla | E♭ Minor | 4 | 2A | 132 BPM | ||
| Sukh Ke Sab Saathi | Mohammed Rafi | A♭ Minor | 6 | 1A | 82 BPM | ||
| Arey Dwarpalo | Manoj Mishra | A Major | 7 | 11B | 146 BPM | ||
| Jaikaara Sheranwali Ka | Sonu Nigam, Babla Mehta | E Minor | 5 | 9A | 105 BPM | ||
| Naam Hai Tera Taranhara | Upasana Mehta | A Minor | 6 | 8A | 170 BPM | ||
| Yashomati Maiya Se Bole Nandlala | Lata Mangeshkar, Manna Dey, Laxmikant–Pyarelal | E Minor | 5 | 9A | 144 BPM | ||
| He Re Kanhaiya | Kishore Kumar, Kalyanji-Anandji | F Major | 7 | 7B | 101 BPM | ||
| Raghav Lalan Tere Komal Charan | Mishra Bandhu | F♯ Major | 6 | 2B | 135 BPM | ||
| Jai Jai Ram Jai Shri Ram | Mohammed Rafi | G Major | 3 | 9B | 122 BPM | ||
| Ashi Chik Motyachi Maal - Female Version | Uttara Kelkar | G Major | 9 | 9B | 125 BPM | ||
| Alakh ke Amal Par | NARAYANSWAMI | A♭ Major | 5 | 4B | 123 BPM | ||
| Teri Galiyon Ka Hoon Aashiq | Baba Rasika Pagal | E♭ Major | 6 | 5B | 101 BPM | ||
| Tera Pal Pal Bita Jae | Shridhay Shri Mridul krishna shastri ji maharaj | B Major | 6 | 1B | 156 BPM | ||
| Lakshman Sa Bhai Ho | Tripti Shakya | E Major | 4 | 12B | 94 BPM | ||
| Ghar Mein Padharo Gajanan Ji - Ganesh Bhajan | Sohini Mishra | A♭ Minor | 8 | 1A | 91 BPM | ||
| Hanuman Baan | Satish Dehra | A Minor | 4 | 8A | 92 BPM | ||
| Shyam Chudi Bechne Aaya (From "Kabhi Ram Banke Kabhi Shyam Banke") | Tripti Shakya | B♭ Minor | 2 | 3A | 84 BPM |