On October 20, 2019, the song "Ran Hiru Madalin" was released by Rohana Weerasinghe, Edward Jayakody. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 10 in Best of Edward Jayakody, Vol. 1 by Rohana Weerasinghe, Edward Jayakody. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. Ran Hiru Madalin is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ran Hiru Madalin by Rohana Weerasinghe, Edward Jayakody is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Akuru Maki Na | Edward Jayakody, Rohana Weerasinghe | A♭ Major | 6 | 4B | 94 BPM | ||
| Nayana | Sanath Nandasiri | F♯ Minor | 7 | 11A | 99 BPM | ||
| Sanda Andura | Somathilaka Jayamaha | C Minor | 3 | 5A | 94 BPM | ||
| Me Prathama Wasanthayai | Sanath Nandasiri | G Major | 5 | 9B | 158 BPM | ||
| Landune | Amarasiri Peiris, Manik Jayasekara, Malani Bulathsinhala, Nirosha Virajini | F Minor | 5 | 4A | 170 BPM | ||
| Sonduru Lowata | Rookantha Gunathilaka, Chandralekha Perera | B♭ Major | 5 | 6B | 173 BPM | ||
| Madhu Sanden | J A Milton Perera | C Major | 5 | 8B | 121 BPM | ||
| Nilupule Nila Denna Mata | Navarathna Gamage, Krishantha Erandaka | F♯ Major | 4 | 2B | 157 BPM | ||
| Ashawe Mal | Buddhika Athauda, Bandara Athauda | A Minor | 5 | 8A | 96 BPM | ||
| Kandulu Hurathal | Asanka Priyamantha | G Major | 5 | 9B | 172 BPM | ||
| Adaraneeya Neranjana | Priya Sooriyasena | A Major | 4 | 11B | 79 BPM | ||
| Oba Nathuwa Inna Bari Tharamata | Victor Rathnayake | G Major | 5 | 9B | 118 BPM | ||
| Amma Sandaki | T M Jayarathna | E Minor | 8 | 9A | 102 BPM | ||
| Iri Thalunu Vala | Amarasiri Peiris, Manik Jayasekara, Nirosha Virajini, Malani Bulathsinhala | D Minor | 6 | 7A | 121 BPM | ||
| Oba Dan Keewath | Milton Mallawarachchi | D Major | 7 | 10B | 100 BPM | ||
| Tika Kalaka Sitan | Chandrasena Hettiarachchi, Chandrasena Hetttiarachchi | D♭ Major | 5 | 3B | 124 BPM | ||
| Sithum Pathum | Milton Mallawarachchi | F Minor | 5 | 4A | 111 BPM | ||
| Ma Sandata Kemathi Bawa Denagena | Nanda Malini | G Minor | 4 | 6A | 159 BPM | ||
| Dompe aaya | Keerthi Pasquel, Chandralekha Perera | F Major | 8 | 7B | 188 BPM | ||
| Raja Meduraka | Malani Bulathsinhala | C Minor | 2 | 5A | 84 BPM | ||
| Me Nihanda Bawa - Piano Version | Miyuru Sangeeth, Rohana Weerasinghe, Taniya Panchali Amarasinghe | D♭ Minor | 4 | 12A | 120 BPM | ||
| Nawala Annasi | Chandrasena Hetttiarachchi, Chandrasena Hettiarachchi | G Minor | 8 | 6A | 95 BPM | ||
| Denuwara Min Pasu | Somathilaka Jayamaha, Punya Kathriarachchi | G Major | 2 | 9B | 91 BPM | ||
| Sanda Yathra Kala | Chandana Liyanarachchi | G Minor | 6 | 6A | 137 BPM | ||
| Eka Yayaka Mal | Sanath Nandasiri | D Major | 9 | 10B | 155 BPM |