On September 1, 1997, the song "Dil Gaya To Gaya" was released by Mohammed Aziz. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 7 in Bewafa Tera Masoom Chehra by Mohammed Aziz. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Dil Gaya To Gaya's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Dil Gaya To Gaya by Mohammed Aziz is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raam Bharoso Raam | Samir Date, Dipalee Date | F Minor | 6 | 4A | 86 BPM | ||
| Koi Na Pyar Kare | Devinder Kohinoor | A Major | 5 | 11B | 146 BPM | ||
| Jagna Loko Mari Hansi - Pt. 1, From "Vaali Bharwadan" | Damyanti Bordia | C Major | 9 | 8B | 157 BPM | ||
| Aayo Faganiyo Rangilo Jhala | Sanju Sharma | D Major | 5 | 10B | 150 BPM | ||
| Teri Haan Ka Teri Naa Ka | Kavita Krishnamurthy, Mohammed Aziz | D Minor | 8 | 7A | 122 BPM | ||
| Sai Teri Mahima Nirali Hai | Paras Jain, Praveen Mahamuni | F♯ Major | 9 | 2B | 108 BPM | ||
| Om Namo Bhagvate Vasudevaya | Jaya Kishori | E♭ Minor | 7 | 2A | 79 BPM | ||
| Mone Tam Do | Masang Hansdah | B♭ Minor | 6 | 3A | 116 BPM | ||
| Der Khwaja Ki Taraf | Mohammed Aziz | E♭ Major | 1 | 5B | 119 BPM | ||
| Prabhuji Mera Man Sundar Ab Kar Do | Jagjit Singh | G Major | 5 | 9B | 144 BPM | ||
| Sumar Chalo doi biriyan re (Bambuliyan) | Rakesh Tiwari | D♭ Major | 9 | 3B | 151 BPM | ||
| Trupati Bala Ji Ka Naam Japle | Babla Mehta | F Minor | 4 | 4A | 75 BPM | ||
| Maiya Ki Khel Rahi | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Khelai Khel Me Pakad Lay Ghoda Raja Ram Ke | Deshraj Narwariya | F Major | 8 | 7B | 125 BPM | ||
| Kanak Bhawan Darwaje Khade Raho | Devendra Pathak | B♭ Major | 9 | 6B | 159 BPM | ||
| Bich Re Bhanwar Me Dagmag | Kalpana Patowary | F Major | 5 | 7B | 144 BPM | ||
| Parshva Jinanda Vama | Dilip Bafana | A♭ Major | 7 | 4B | 165 BPM | ||
| Namokar Namokar Mahamantra Namokar | Ravindra Jain | C Major | 4 | 8B | 102 BPM | ||
| Marudhar Ri Dhrti Par Midar Baniyo Bhari | Prakash Mali, Mahendra Singh, Daksha Prajapati | G Major | 8 | 9B | 98 BPM | ||
| Mein Mehandipur Mein Aayi | Sanjay Bhagi, Rakesh Kala, Vandana Vajpai | F♯ Minor | 6 | 11A | 96 BPM | ||
| Jayegi Jayegi Jayegi Kahan | Mohammed Aziz | G Major | 8 | 9B | 108 BPM | ||
| Kuran Mein Ye Likha Hain | Mohammed Aziz | E Major | 4 | 12B | 91 BPM | ||
| Kisi Se Koi Pyar Na Kare | Poonam Gondaliya | F Minor | 7 | 4A | 168 BPM | ||
| Humare Hai Shree Gurudev | Deepa Didi | E♭ Major | 9 | 5B | 120 BPM | ||
| Ek Doosre Se Khafa Hona Nahin (Sad Version) | Kavita Krishnamurthy, Mohammed Aziz | F♯ Major | 5 | 2B | 130 BPM |