"Magnificat: III. Quia fecit mihi magna" by John Rutter, The Cambridge Singers, City of London Sinfonia had its release date on 1991. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Rutter, City of London Sinfonia, The Cambridge Singers's "John Rutter: Magnificat" album is number 3 out of 7. On top of that, United Kingdom appears to be the country where this track was created. Magnificat: III. Quia fecit mihi magna is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat: III. Quia fecit mihi magna by John Rutter, The Cambridge Singers, City of London Sinfonia to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 88 BPM | ||
| Baptism (Arr. for Choir & Piano by Spencer Baldwin) | Crawford Gates, BYU Singers, James Monson | E Major | 3 | 12B | 74 BPM | ||
| Footprints: III. O Sun and Moon | Will Todd, Christopher Finch, Wellensian Consort, Will Todd Ensemble | E Major | 5 | 12B | 104 BPM | ||
| Jubilate Deo: V. Bendecid su nombre | Rivertree Singers Festival Chorus, Nikki Eoute, Rivertree Singers, Warren Cook | G Major | 2 | 9B | 89 BPM | ||
| My Flight for Heaven | Blake R. Henson, James Jordan, Anam Cara | D♭ Major | 0 | 3B | 74 BPM | ||
| Requiem, Op. 9: VI. Agnus Dei | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
| Her Sacred Spirit Soars | Eric Whitacre, Eric Whitacre Singers | C Minor | 1 | 5A | 69 BPM | ||
| The City | Majorstua Kammerkor & Tore Erik Mohn | E♭ Major | 2 | 5B | 88 BPM | ||
| Requiem: I. Requiem aeternam | John Rutter, The Cambridge Singers, City of London Sinfonia | G Major | 1 | 9B | 71 BPM | ||
| Stabat mater: XII. Paradisi Gloria | Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Choir, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins | C Minor | 6 | 5A | 140 BPM | ||
| O Nata Lux | Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | C Major | 0 | 8B | 139 BPM | ||
| Verbum caro factum est | Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 94 BPM | ||
| Agnus Dei | Samuel Barber, The Cambridge Singers, John Rutter | B♭ Minor | 0 | 3A | 131 BPM | ||
| Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Barbara Bonney, Jorge Pita, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Wiener Staatsopernchor | F Major | 2 | 7B | 125 BPM | ||
| Mass of the Children: IV. Agnus Dei | John Rutter, Cantate Youth Choir, The Cambridge Singers, City of London Sinfonia | G Major | 1 | 9B | 72 BPM | ||
| Tota pulchra es | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | E Major | 0 | 12B | 85 BPM | ||
| Hide Not Thou Thy Face From Us, O Lord | Richard Farrant, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 128 BPM | ||
| Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
| Thou knowest Lord | Henry Purcell, Choir of Clare College, Cambridge, Timothy Brown | B♭ Major | 0 | 6B | 135 BPM | ||
| Lord, For Thy Tender Mercy's Sake | Richard Farrant, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 128 BPM | ||
| Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM | ||
| I Hide Myself | BYU Singers | B♭ Minor | 1 | 3A | 163 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| 4 Motets sur des themes gregoriens, Op. 10: I. Ubi caritas | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | D Major | 0 | 10B | 78 BPM | ||
| Requiem: V. Confutatis | Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Timothy Rhys-Evans, Gary Kettel | F Major | 1 | 7B | 145 BPM |