"Acceptance of Inner Self" by Halgrath had its release date on January 7, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "The Whole Path of War and Acceptance". In this album, this song's track order is #1. Based on our statistics, Acceptance of Inner Self's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Acceptance of Inner Self by Halgrath having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vocerah | Treha Sektori | A Major | 1 | 11B | 77 BPM | ||
| A Scent of a Tear | LẼTUM | B♭ Minor | 5 | 3A | 168 BPM | ||
| Sunstone | Northumbria | C Major | 2 | 8B | 65 BPM | ||
| Vorah Esyeh Konteriah | Treha Sektori | B♭ Minor | 3 | 3A | 87 BPM | ||
| Consecreation | Halgrath | C Major | 1 | 8B | 89 BPM | ||
| Extinction [66 Million Years Ago] | Dronny Darko, protoU | E Minor | 2 | 9A | 143 BPM | ||
| On Crimson Water | Dead Melodies, Northumbria | G Major | 2 | 9B | 128 BPM | ||
| Celestial Bodies | Dahlia's Tear | C Minor | 3 | 5A | 68 BPM | ||
| Immersion | Alphaxone, Dronny Darko | D♭ Minor | 4 | 12A | 72 BPM | ||
| Remembering the World as It Used to Be | Beyond the Ghost | C Minor | 3 | 5A | 88 BPM | ||
| Withered Regions | New Risen Throne | D Major | 4 | 10B | 84 BPM | ||
| Aesthetic | Enmarta | A♭ Major | 3 | 4B | 85 BPM | ||
| An Opening | Cryobiosis | G Minor | 2 | 6A | 78 BPM | ||
| Eta Carinae | Gustaf Hildebrand | C Major | 5 | 8B | 139 BPM | ||
| Bargaining | Council of Nine | A♭ Major | 2 | 4B | 62 BPM | ||
| Inviting Darkness | Coltrin Compositions | G Major | 6 | 9B | 128 BPM | ||
| The Sitting | Cities Last Broadcast | B Major | 2 | 1B | 87 BPM | ||
| New Risen Throne (I) | New Risen Throne | G Major | 4 | 9B | 76 BPM | ||
| Across the Mythic Ocean | Paleowolf | D♭ Major | 2 | 3B | 72 BPM | ||
| Evil Comes from the North | Lamia Vox | C Minor | 6 | 5A | 134 BPM | ||
| Intereseiah Neh | Treha Sektori | F Major | 3 | 7B | 115 BPM | ||
| Horns of Eden | Randal Collier-Ford | D Major | 2 | 10B | 73 BPM | ||
| The Hooded Nine | Dead Melodies | F Minor | 1 | 4A | 145 BPM | ||
| Die Klänge Der Alten | Musica Cthulhiana | B Minor | 2 | 10A | 101 BPM | ||
| Gates of Atlantis | Phelios | D♭ Major | 6 | 3B | 98 BPM |