Marv Johnson's ' "Come to Me" was released on its scheduled release date, 1960. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Come to Me's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marv Johnson's "Marvelous Marv Johnson" album is number 6 out of 12. On top of that, Australia appears to be the country where this track was created. Come to Me is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Come to Me by Marv Johnson to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Poison Ivy | Wilbert Harrison | D♭ Major | 7 | 3B | 119 BPM | ||
| Cool Shake | The Del-Vikings | G Major | 6 | 9B | 90 BPM | ||
| Where Were You (On Our Wedding Day?) | Lloyd Price | C Minor | 7 | 5A | 78 BPM | ||
| Trickle Trickle | The Videos | B♭ Major | 6 | 6B | 175 BPM | ||
| Heading for the Poorhouse | The Silhouettes | C Major | 6 | 8B | 161 BPM | ||
| Hush Heart | Baby Washington | D♭ Major | 6 | 3B | 141 BPM | ||
| Mockingbird | Inez & Charlie Foxx | F♯ Major | 7 | 2B | 118 BPM | ||
| Silhouettes | The Rays | D Minor | 8 | 7A | 126 BPM | ||
| Play a Song for Me | Major Lance | D♭ Major | 5 | 3B | 122 BPM | ||
| Baby, Baby | Marv Johnson | D Major | 4 | 10B | 181 BPM | ||
| Where's My Money | Willie Jones & The Royal Jokers | F Minor | 7 | 4A | 141 BPM | ||
| Do The New Continental | The Dovells | A♭ Major | 8 | 4B | 120 BPM | ||
| Sugar Sugar | Chuck Willis | C Major | 6 | 8B | 147 BPM | ||
| I'm Going Home | Prince Conley | G Minor | 4 | 6A | 125 BPM | ||
| Flip, Flop And Fly | Big Joe Turner | F Minor | 5 | 4A | 82 BPM | ||
| Jim Dandy Got Married | LaVern Baker | F Major | 5 | 7B | 172 BPM | ||
| Candy | The Astors | E♭ Major | 5 | 5B | 138 BPM | ||
| The Watusi | The Vibrations | D♭ Major | 6 | 3B | 65 BPM | ||
| Buzz, Buzz, Buzz | The Hollywood Flames | C Major | 5 | 8B | 173 BPM | ||
| Corrine Corrina | Big Joe Turner | B♭ Major | 8 | 6B | 79 BPM | ||
| New Orleans | Gary U.S. Bonds | E Major | 7 | 12B | 129 BPM | ||
| Shake Sherrie | The Contours | F Major | 7 | 7B | 122 BPM | ||
| Tossin' & Turnin' | Bobby Lewis | B♭ Major | 5 | 6B | 145 BPM | ||
| I Promise to Remember | Frankie Lymon & The Teenagers | B♭ Major | 4 | 6B | 72 BPM | ||
| Bing Bong | The Silhouettes | A♭ Major | 9 | 4B | 199 BPM |