On August 29, 1989, the song "Dancing In The End Zone" was released by Elton John. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Sleeping With The Past (Remastered with bonus tracks)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Dancing In The End Zone's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Dancing In The End Zone by Elton John having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Take It From Me | Commodores | D Major | 1 | 10B | 78 BPM | ||
| True Confessions | Kenny Loggins | B♭ Major | 7 | 6B | 98 BPM | ||
| They Don't Make 'Em Like They Used To | Peter Cetera | F Major | 6 | 7B | 156 BPM | ||
| Man In The Middle | ABBA | C Major | 7 | 8B | 166 BPM | ||
| Beat Patrol | Starship | A♭ Major | 9 | 4B | 154 BPM | ||
| Manuela Run | TOTO | A Major | 8 | 11B | 106 BPM | ||
| Cradle Of Love | Billy Idol | E♭ Major | 9 | 5B | 144 BPM | ||
| Two Different Worlds | Foreigner | A Minor | 7 | 8A | 105 BPM | ||
| Live Or Die (Hold Me Like A Child) | Bee Gees | G Major | 4 | 9B | 117 BPM | ||
| Wake Me Up On Judgment Day | Steve Winwood | C Major | 6 | 8B | 111 BPM | ||
| I Drove All Night | Cyndi Lauper | F♯ Major | 9 | 2B | 120 BPM | ||
| We Can Change | Belinda Carlisle | A Major | 6 | 11B | 182 BPM | ||
| Too Funky - Single Edit | George Michael | G Minor | 9 | 6A | 197 BPM | ||
| Brand New Day | Sting | E Major | 8 | 12B | 157 BPM | ||
| Giving Up The Ghost | Bee Gees | G Major | 8 | 9B | 113 BPM | ||
| I Knew You Were Waiting (For Me) | Aretha Franklin, George Michael | A Major | 8 | 11B | 108 BPM | ||
| Dangerous Times | Cher | F♯ Major | 5 | 2B | 114 BPM | ||
| Between Your Mama and Yourself | a-ha | A Major | 7 | 11B | 92 BPM | ||
| Code of Silence (feat. Cyndi Lauper) | Billy Joel, Cyndi Lauper | F Major | 7 | 7B | 79 BPM | ||
| Take It As It Comes | Steve Winwood | C Major | 6 | 8B | 113 BPM | ||
| Desperate Heart | Starship | C Major | 8 | 8B | 117 BPM | ||
| Till The Money Runs Out - Non LP B-Side | Men At Work | B Minor | 9 | 10A | 110 BPM | ||
| If It's the Last Night | TOTO | C Major | 3 | 8B | 118 BPM | ||
| Crazy Man Dance | George Michael | B♭ Minor | 8 | 3A | 161 BPM | ||
| Any Colour | Cutting Crew | E Major | 9 | 12B | 117 BPM |