Miklós Rózsa's ' "Sorrow and Intermission" was released on its scheduled release date, January 29, 1960. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 88 in Ben Hur (Original Motion Picture Soundtrack) [Deluxe Version] by Miklós Rózsa. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Sorrow and Intermission is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Sorrow and Intermission by Miklós Rózsa is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Endless River | Anne Dudley | D♭ Minor | 2 | 12A | 79 BPM | ||
| Slowing Down | Jhon Allan, Kesha | D♭ Major | 2 | 3B | 157 BPM | ||
| The Play (Part II) - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | A Minor | 1 | 8A | 78 BPM | ||
| The Prologue - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | B Minor | 2 | 10A | 92 BPM | ||
| Return - Extended Version | Miklós Rózsa | D♭ Minor | 0 | 12A | 129 BPM | ||
| War Is Declared / The Death of Charles | Max Steiner | D Minor | 3 | 7A | 75 BPM | ||
| Fantastic Journey | Richard Philip Birdsall | G Major | 2 | 9B | 58 BPM | ||
| One Down In Gaza | W.G. Snuffy Walden | G Major | 1 | 9B | 69 BPM | ||
| Millones de Realidades | Sirenas Celestiales | G Major | 1 | 9B | 98 BPM | ||
| The Welcoming | Jerome Moross | F Major | 3 | 7B | 76 BPM | ||
| Pasadizos | Armonias | F♯ Minor | 6 | 11A | 127 BPM | ||
| Dudas E Incertidumbres | Los Triunfadores | D♭ Minor | 2 | 12A | 60 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| Roll Tide (From "Crimson Tide") [Arr. S. Reineke] | Hans Zimmer, Steven Reineke, Cincinnati Pops Orchestra, Erich Kunzel, The Singers Companye | A♭ Major | 3 | 4B | 85 BPM | ||
| Morning Talks | Silviu Michaels, Sade | E Minor | 3 | 9A | 85 BPM | ||
| Le combat final - Bande originale du film "Les Légendaires" | Cécile Corbel, Simon Caby | B Major | 2 | 1B | 103 BPM | ||
| Big Country | Jerome Moross, Cincinnati Pops Orchestra, Erich Kunzel | F Major | 4 | 7B | 128 BPM | ||
| 633 Squadron: Main Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | F Major | 7 | 7B | 118 BPM | ||
| Promise | Miklós Rózsa | D Minor | 1 | 7A | 86 BPM | ||
| Magic and Final Boss (16 bits) | Lautenor | B Major | 2 | 1B | 103 BPM | ||
| Fases Nuevas | Nimetas | G Minor | 3 | 6A | 77 BPM | ||
| Risen | Ceyran Huseynova, Feirn Mont | F Major | 3 | 7B | 94 BPM | ||
| Doorman Overture | Joel P West | B Major | 2 | 1B | 103 BPM | ||
| Proposal (from "An Affair To Remember") | Gary Grant, Deborah Kerr | G Major | 2 | 9B | 94 BPM | ||
| A Bridge Too Far (Overture) | Czech Philharmonic Chamber Orchestra | B♭ Major | 4 | 6B | 107 BPM |