"Candy" by INOYAMALAND had its release date on September 20, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 16 in Commissions: 1977-2000 by INOYAMALAND. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Candy is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candy by INOYAMALAND is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Åland Air | Jeremiah Chiu, Marta Sofia Honer | D♭ Major | 4 | 3B | 114 BPM | ||
| Abiogenesis | Chypho | F♯ Major | 3 | 2B | 160 BPM | ||
| Okinawa Sunset | Masahiro Takahashi | G Major | 5 | 9B | 114 BPM | ||
| Today | Kyomi | B Major | 1 | 1B | 72 BPM | ||
| A Host for All Kinds of Life | Green-House | B♭ Minor | 2 | 3A | 73 BPM | ||
| Clouds | Hiroshi Yoshimura | B Minor | 3 | 10A | 178 BPM | ||
| I Can See the Air | Constant Shapes | F Minor | 3 | 4A | 69 BPM | ||
| Slow Sky | Yutaka Hirose | B Major | 1 | 1B | 141 BPM | ||
| Still Space | Satoshi Ashikawa | A♭ Major | 0 | 4B | 76 BPM | ||
| Everything Turns Black to Blue | Slow Attack Ensemble | A Major | 1 | 11B | 74 BPM | ||
| Launching Mossy Scow | M. Sage, The Spinnaker Ensemble | F♯ Major | 3 | 2B | 63 BPM | ||
| A Tale | Synergetic Voice Orchestra | F Minor | 2 | 4A | 160 BPM | ||
| Anatano Yushoku No Tameni | INOYAMALAND | E Minor | 1 | 9A | 183 BPM | ||
| never enough | Jason Calhoun | D Major | 3 | 10B | 136 BPM | ||
| Calibrating Sense | Sofie Birch, Johan Carøe | C Major | 2 | 8B | 120 BPM | ||
| Space of Uncertainty | KMRU | D♭ Major | 0 | 3B | 184 BPM | ||
| Until the End of the World | Masahiro Sugaya | B♭ Minor | 9 | 3A | 130 BPM | ||
| Mindscape I (Lights) | The Kyoto Connection | C Minor | 1 | 5A | 71 BPM | ||
| Wasser | INOYAMALAND | F Major | 3 | 7B | 45 BPM | ||
| Great Mother In The Sky | Lionmilk | D♭ Major | 7 | 3B | 92 BPM | ||
| Shiunkai | Shiho Yabuki | B Minor | 1 | 10A | 75 BPM | ||
| Ouverture; Prologue | naran ratan | G Minor | 2 | 6A | 82 BPM | ||
| Kawanabe Kyōsai - Pt. 2 | MEITEI | D Minor | 1 | 7A | 91 BPM | ||
| Dewdrop | Chypho | D Major | 2 | 10B | 73 BPM | ||
| World View | Keyboard | D♭ Minor | 1 | 12A | 96 BPM |