The Red Chord's 'It Came From Over There' had a release date set for August 26, 2008. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Prey For Eyes". In this album, this song's track order is #9. In terms of popularity, It Came From Over There is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With It Came From Over There by The Red Chord having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Whoop Dat Trick | I Declare War | B♭ Minor | 10 | 3A | 86 BPM | ||
| Greetings from the Gallows | Blood Has Been Shed | A♭ Major | 10 | 4B | 88 BPM | ||
| The Psychotic Thought | Eighteen Visions | B Major | 10 | 1B | 167 BPM | ||
| Valley Of Solitude | Martyr AD | D♭ Minor | 9 | 12A | 95 BPM | ||
| Planetary Duality II (A Prophecies Fruition) | The Faceless | A♭ Major | 10 | 4B | 131 BPM | ||
| Midas Touch | The Red Chord | G Major | 10 | 9B | 102 BPM | ||
| Warborn | The Black Dahlia Murder | B♭ Minor | 10 | 3A | 160 BPM | ||
| Here, Take This Pill | See You Next Tuesday | D Major | 10 | 10B | 165 BPM | ||
| Aesthetic | Between The Buried And Me | D♭ Major | 9 | 3B | 104 BPM | ||
| If You Want To Blame Us For Something Wrong, Please Abuse This Song! | War From A Harlots Mouth | C Major | 9 | 8B | 111 BPM | ||
| Heeey... Let's Start A Band | War From A Harlots Mouth | C Major | 9 | 8B | 84 BPM | ||
| Jar Full of Bunny Parts | The Red Chord | D♭ Minor | 10 | 12A | 173 BPM | ||
| Crown of Thorns | Elysia | G Major | 9 | 9B | 109 BPM | ||
| My Fears Have Become Phobias | As Blood Runs Black | C Major | 10 | 8B | 116 BPM | ||
| Solar Powered Sun Destroyer | Found Dead Hanging | E♭ Minor | 7 | 2A | 153 BPM | ||
| Seminar | The Red Chord | C Minor | 8 | 5A | 82 BPM | ||
| Mork and Mindy ( Daydream Lover ) | Psyopus | F♯ Major | 10 | 2B | 109 BPM | ||
| Japam | Botch | E♭ Major | 8 | 5B | 168 BPM | ||
| You Can't Kill Us All | Coalesce | D♭ Minor | 9 | 12A | 131 BPM | ||
| The Shotgun Message | Norma Jean | A♭ Major | 10 | 4B | 85 BPM | ||
| Jim Fear | The Dillinger Escape Plan | G Major | 10 | 9B | 87 BPM | ||
| Nailgun Massacre | Burning The Masses | D♭ Major | 10 | 3B | 125 BPM | ||
| Worship Your Demons | Cryptopsy | D♭ Major | 10 | 3B | 119 BPM | ||
| Above the Pyramid and the Eye | Reflux | D Minor | 10 | 7A | 115 BPM | ||
| In the Arms of Perdition | Despised Icon | F♯ Major | 10 | 2B | 112 BPM |