Ravi Shankar, Anthony Daasan, Anitha Karthikeyan's ' "Pattukkottai Paattukkottai Paaththathillamma" was released on its scheduled release date, January 1, 2018. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 12 in Bhairava Geetha - Tamil by Ravi Shankar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Pattukkottai Paattukkottai Paaththathillamma is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Pattukkottai Paattukkottai Paaththathillamma by Ravi Shankar, Anthony Daasan, Anitha Karthikeyan is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aakash Ganga | Suprabha KV | E♭ Major | 4 | 5B | 157 BPM | ||
| Chaluva Chengaluva Cheliyave | Sinduri Vishal, Sri Mani | A Minor | 5 | 8A | 95 BPM | ||
| Gaura Shiv Ki Diwani | Shekar Jaiswal | D♭ Minor | 7 | 12A | 130 BPM | ||
| Shankar Sankat Harna (Shiv Kailashon Ke Vasi) | Vishal Khatri | E♭ Major | 5 | 5B | 178 BPM | ||
| Sarkar Trance | Niladri Kumar | F♯ Major | 5 | 2B | 140 BPM | ||
| Theme Flute | Amzad, Nadeem | A Minor | 5 | 8A | 95 BPM | ||
| Deva Manguesha | Sai Damodar | D♭ Minor | 4 | 12A | 130 BPM | ||
| Aas Lagi Hai | Asees Kaur, Harjot Kaur, Shashwat Singh, Mandy Gill, Sunny M.R., Amitabh Bhattacharya | C Major | 6 | 8B | 125 BPM | ||
| Koi Sunta Hai Guru Gyaani - Silent Whisper - Sabr | Kabir Cafe | D♭ Major | 6 | 3B | 127 BPM | ||
| Mahi Mahi Mahi (Instrumental)[Remix By Shyamraj,Ramzoo] | Anand Raj Anand | D♭ Minor | 9 | 12A | 124 BPM | ||
| Namami Yoga Vidye | Rukmini Vijayakumar, Dr Rajkumar Bharathi, Sai Shravanam, Abhishek Raghuram | G Major | 4 | 9B | 122 BPM | ||
| Aasa Dildar aahe maza Sai | Vaibhav Kale | A Major | 4 | 11B | 94 BPM | ||
| Duaa - From "Mirzapur 3" | Ghanshyam Vaswani, Anand Bhaskar | F Minor | 1 | 4A | 66 BPM | ||
| Babul Mora | Pratibha Singh Baghel, Deepak Pandit | E♭ Major | 4 | 5B | 89 BPM | ||
| Ae Raja Lele Aiya Sabuniya | Ravi Shankar | F♯ Major | 10 | 2B | 150 BPM | ||
| Shiv Damru | Shankar Mahadevan, Ashutosh Agnihotri, Shreyas Puranik | A Major | 6 | 11B | 89 BPM | ||
| Bhole Tere Deewane | Shekhar Jaiswal | A♭ Major | 8 | 4B | 100 BPM | ||
| Lallanwa | Anand Bhaskar, Vijayaa Shanker, Ginny Diwan | G Major | 8 | 9B | 128 BPM | ||
| Bhole Teri Bhakti | Shekhar Jaiswal | F♯ Minor | 7 | 11A | 140 BPM | ||
| Din Din Gin Gin | Kunal Ganjawala, Dhruv Dhalla, Jaideep Sahni | B Minor | 6 | 10A | 126 BPM | ||
| Durga Mahakaali | Abhinav Shekhar | G Minor | 3 | 6A | 76 BPM | ||
| Udi Re Patang | Anita Mandal, Ravikar Tiwari | C Major | 8 | 8B | 125 BPM | ||
| Jao Piya | Maati Baani, Ambi Subramaniam, Abhay Nayampally | E Major | 5 | 12B | 91 BPM | ||
| Shiv Shambhu | Manoj Muntashir, Brijesh Shandilya, Kunwar Anshith, Suril Vispute | G Minor | 8 | 6A | 115 BPM | ||
| Eatho Eatho Idhu | Ravi Shankar, Ranjit Alwal, Vandana Srinivasan | F Minor | 4 | 4A | 160 BPM |