On October 31, 2018, the song "オール・アイ・エバー・ニード・イズ・ユー - Non Stop Mix ver." was released by 仲村裕美. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "TOKYO 1980s Victor Edition (The Alternate Mix) Boogie, Funk & Modern Soul from Japan ~Non Stop Mix ver.~". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Japan. Based on our statistics, オール・アイ・エバー・ニード・イズ・ユー - Non Stop Mix ver.'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With オール・アイ・エバー・ニード・イズ・ユー - Non Stop Mix ver. by 仲村裕美 having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| BORDERLINE | AB'S | A Minor | 9 | 8A | 111 BPM | ||
| North Shore - 2023 Remaster | 1986 OMEGA TRIBE | C Major | 6 | 8B | 75 BPM | ||
| スプリング・レイン | 流線形 | B Major | 6 | 1B | 100 BPM | ||
| Kusuri o Takusan | Taeko Onuki | G Major | 8 | 9B | 93 BPM | ||
| スマイル・アゲイン | CASIOPEA | G Major | 8 | 9B | 111 BPM | ||
| 感じるままに | Kei Ishiguro | D Major | 6 | 10B | 103 BPM | ||
| SUMMER BLUE | Bread And Butter | C Major | 5 | 8B | 165 BPM | ||
| Straw Hat no Natsuomoi | Yuki Saitou | G Major | 4 | 9B | 82 BPM | ||
| Love Was Really Gone - 2018 Remaster | Makoto Matsushita | E Minor | 7 | 9A | 87 BPM | ||
| Latin Night | Hatsumi Shibata | B♭ Minor | 9 | 3A | 119 BPM | ||
| ドライブ・ソング | EPO | C Major | 7 | 8B | 127 BPM | ||
| FLIGHT IN MISTRAL | 伊東たけし | D Major | 5 | 10B | 103 BPM | ||
| 無言のジェラシー | EPO | D Major | 7 | 10B | 103 BPM | ||
| 私のしあわせ | Mako Ishino | F Major | 8 | 7B | 139 BPM | ||
| Fascination (2017 Remastering) | Maiko Okamoto | B Minor | 9 | 10A | 116 BPM | ||
| PAY DAY | EPO | F Minor | 6 | 4A | 108 BPM | ||
| Silly Girl | Tetsuji Hayashi | F♯ Minor | 6 | 11A | 93 BPM | ||
| Lady Sunshine | Anri | A Minor | 7 | 8A | 133 BPM | ||
| Painted Woman | Masaki Matsubara | F Minor | 6 | 4A | 93 BPM | ||
| 霧雨のあとで | 朝比奈 マリア | B Minor | 8 | 10A | 140 BPM | ||
| Rainy Day Bye Bye | Charming Bell | G Major | 7 | 9B | 107 BPM | ||
| EARLY EVENING LULLABY | Jun Fukamachi | B♭ Major | 4 | 6B | 134 BPM | ||
| RECORDER SONATA | Yuko Kanai | F Major | 7 | 7B | 140 BPM | ||
| Tuesday Queen | Shigeru Suzuki | G Major | 8 | 9B | 124 BPM | ||
| Beautiful Me | Junko Ohashi | F Major | 5 | 7B | 146 BPM |