"Aida / Act 1: Ritorna vincitor" by Giuseppe Verdi, Katia Ricciarelli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado had its release date on January 1, 1982. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: Aida by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado. The song's track number on the album is #8 out of 35 tracks. Based on our data, Germany was the country where this track was produced or recorded. Aida / Act 1: Ritorna vincitor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Aida / Act 1: Ritorna vincitor by Giuseppe Verdi, Katia Ricciarelli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Aida / Act 1: Ritorna vincitor being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Voici! Voici La Quadrille (Carmen) | Georges Bizet, Choir and Orchestra of the Budapest State Opera | F Major | 1 | 7B | 77 BPM | ||
| Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
| Persischer Marsch, Op.289 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 207 BPM | ||
| Verdi: La traviata, Act 1: Brindisi. "Libiamo ne'lieti calici" (Alfredo, Violetta, Coro) | Giuseppe Verdi, Maria Callas, Coro Cetra, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica di Torino della RAI | B♭ Major | 2 | 6B | 195 BPM | ||
| Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
| Radetzky March Op. 228 | Riccardo Muti, Wiener Philharmoniker | A Major | 5 | 11B | 106 BPM | ||
| Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | ||
| Confutatis | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | B Major | 1 | 1B | 82 BPM | ||
| Verdi: Il trovatore, Act 2 Scene 1: No. 4, Coro e Canzone, "Vedi le fosche notturne" (Coro) | Giuseppe Verdi, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 2 | 10B | 169 BPM | ||
| Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeur de Radio France | D Major | 1 | 10B | 101 BPM | ||
| Macbeth / Act 4: Una macchia è qui tuttora | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Carlo Zardo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 0 | 3B | 82 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| Künstlerleben, Op.316 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 181 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 83 BPM | ||
| Bizet: Carmen, WD 31, Act 1: Air et Chœur. "L'amour est enfant de bohème" (Carmen, Chœur) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Les Éléments, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 101 BPM | ||
| Die Walküre, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | D♭ Major | 1 | 3B | 72 BPM | ||
| Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | C Major | 1 | 8B | 77 BPM | ||
| Rusalka: Song to the Moon | Antonín Dvořák, Olga Peretyatko, Miguel Gomez-Martinez | F♯ Major | 2 | 2B | 89 BPM | ||
| Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
| Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Jacques Pruvost, Robert Geay, George London, Michel Sénéchal, Jean Christophe Benoit, Jean-Pierre Laffage, Nicola Ghiuselev, André Malla | D Major | 1 | 10B | 90 BPM | ||
| Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
| La traviata, Act I: Dell'invito trascorsa è già l'ora | Giuseppe Verdi, Ileana Cotrubas, Stefania Malagu, Walter Gullino, Plácido Domingo, Bruno Grella, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper München | A Major | 2 | 11B | 85 BPM | ||
| La Traviata: Prelude to Act I | Bonn Classical Philharmonic | B Major | 0 | 1B | 120 BPM |