"Nocturne No. 20 in C-Sharp Minor, B. 49: Lento con gran espressione" by Frédéric Chopin, Deniz Türkmen had its release date on August 1, 2021. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Sanat". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. The popularity of Nocturne No. 20 in C-Sharp Minor, B. 49: Lento con gran espressione is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nocturne No. 20 in C-Sharp Minor, B. 49: Lento con gran espressione by Frédéric Chopin, Deniz Türkmen having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Etudes, Op.25: No.2 in F Minor | Pianozone, Frédéric Chopin | D♭ Major | 3 | 3B | 83 BPM | ||
| Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
| 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
| Lyric Pieces: Melodie / Melody, Op. 47, 3 | Edvard Grieg, Heidi Kommerell | D♭ Minor | 1 | 12A | 73 BPM | ||
| Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
| Suite No. 11 in D Minor, HWV 437: III. Sarabande - Remastered 2022 | George Frideric Handel, Mario Sollazzo | B♭ Minor | 0 | 3A | 76 BPM | ||
| Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
| Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
| Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo - Adagio | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi, Czech Philharmonic | D♭ Major | 0 | 3B | 69 BPM | ||
| Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 1. Grave - Allegro di molto e con brio | Ludwig van Beethoven, Daniel Barenboim | C Minor | 1 | 5A | 151 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
| Valse Fantaisie, Op. 49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Arietta | Edvard Grieg, Christopher Ferreira | E♭ Major | 0 | 5B | 142 BPM | ||
| Sonata No. 13, Hob. XVI:6: III. Adagio | Joseph Haydn, Jean-Efflam Bavouzet | B♭ Major | 0 | 6B | 75 BPM | ||
| 2 Nocturnes, Op. 55: I. Andante | Frédéric Chopin, Brigitte Engerer | F Minor | 0 | 4A | 74 BPM | ||
| Pavane pour une infante défunte, M. 19 | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
| Nocturne No.4 In F, Op.15 No.1 | Frédéric Chopin, Maurizio Pollini | F Major | 0 | 7B | 132 BPM | ||
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Paul Lewis | D♭ Minor | 0 | 12A | 172 BPM | ||
| Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
| Mozart: Fantasia for Piano in D Minor, K. 397 | Wolfgang Amadeus Mozart, Cyprien Katsaris | E Minor | 0 | 9A | 80 BPM | ||
| Prelude in G Minor, Op. 23, No. 5 - Live at Philharmonie, Berlin / 2018 | Sergei Rachmaninoff, Yuja Wang | G Minor | 2 | 6A | 114 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| Rêverie, L. 68 | Claude Debussy, François-Joël Thiollier | F Major | 0 | 7B | 69 BPM |