"Communication is a Two Way Street" by Jamie Stillway had its release date on November 11, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jamie Stillway's "Lullaby For A Stranger" album is number 2 out of 8. Based on our statistics, Communication is a Two Way Street's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Communication is a Two Way Street by Jamie Stillway to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Paix | Gary O'Slide | B♭ Major | 1 | 6B | 69 BPM | ||
| Forging the Moonlight | Tom Caufield | G Major | 2 | 9B | 106 BPM | ||
| Sunset Serenade | Guitar Music | D♭ Minor | 2 | 12A | 177 BPM | ||
| Everything Ahead | Vin Downes | E Major | 2 | 12B | 157 BPM | ||
| Waves of Makena | Randal L Meek, Tom Eaton | A♭ Major | 2 | 4B | 65 BPM | ||
| Cranes in the Moonlight | James Filkins | D♭ Minor | 2 | 12A | 140 BPM | ||
| What The Fuck Am I Doing Here? | Ian Ross Cohen | A Major | 3 | 11B | 114 BPM | ||
| Sleepy Star | Lumanunu | D Major | 2 | 10B | 149 BPM | ||
| night sun | Mark Wylie | D♭ Minor | 6 | 12A | 147 BPM | ||
| Dangerous Roads | Franco Morone | F♯ Minor | 6 | 11A | 89 BPM | ||
| Kathryn by the Delaware | Jamie Stillway, Eric Skye | E Major | 4 | 12B | 142 BPM | ||
| Red November Moon | Kurt Hummel | B Minor | 1 | 10A | 121 BPM | ||
| May Day | Jamie Stillway | A♭ Major | 2 | 4B | 101 BPM | ||
| Hazelnut Grove | Jamie Stillway, Eric Skye | A Minor | 2 | 8A | 108 BPM | ||
| Floating In the Cove (feat. Dean Cerny) | Michael Mucklow | D Major | 1 | 10B | 78 BPM | ||
| Liminal Memory Gate | Nomadic Shadow | G Major | 2 | 9B | 90 BPM | ||
| Passage 11 | Cary Lewincamp | F Major | 2 | 7B | 110 BPM | ||
| Wisdom and Understanding | Mike McKee | A Major | 2 | 11B | 121 BPM | ||
| Honey | The O'Neill Brothers Group | A Major | 3 | 11B | 114 BPM | ||
| Trøstesang | Ulli Boegershausen | D Major | 1 | 10B | 106 BPM | ||
| a u t u m n l i o n s | Alan Gogoll | A Major | 1 | 11B | 145 BPM | ||
| Opening | Raphael Groten | G Major | 0 | 9B | 137 BPM | ||
| Parallel path | Guitart | A Major | 2 | 11B | 95 BPM | ||
| Keweenaw | James Filkins | E♭ Major | 1 | 5B | 154 BPM | ||
| Sorrow Floats | Ben Woolman | A Major | 2 | 11B | 86 BPM |