On February 23, 2009, the song "Baby, Come Over" was released by Jeff Kashiwa. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 10 in Back In The Day by Jeff Kashiwa. In terms of popularity, Baby, Come Over is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Baby, Come Over by Jeff Kashiwa is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Music Inside | Chuck Loeb | B Minor | 6 | 10A | 168 BPM | ||
| De-Stress Signal | Oli Silk | G Minor | 6 | 6A | 156 BPM | ||
| Third Wish | Joyce Cooling | D♭ Major | 8 | 3B | 105 BPM | ||
| Tale of Two Cities | Darren Rahn | A Major | 7 | 11B | 92 BPM | ||
| Ain't Nobody | Jeff Lorber | F♯ Major | 9 | 2B | 103 BPM | ||
| Blue Water | Eric Marienthal | D Minor | 7 | 7A | 115 BPM | ||
| You Got It | 3rd Force | B Minor | 7 | 10A | 100 BPM | ||
| Now 'Til Forever | Kirk Whalum | D Major | 8 | 10B | 171 BPM | ||
| On The Strip | Marc Antoine | C Major | 7 | 8B | 113 BPM | ||
| Gathering | Reza Khan, Jeff Kashiwa | A Minor | 7 | 8A | 130 BPM | ||
| Let's Have a Good Time | Braxton Brothers | C Major | 7 | 8B | 113 BPM | ||
| After Hours | Art Porter | A♭ Major | 7 | 4B | 92 BPM | ||
| Top Down | Greg Manning | G Major | 7 | 9B | 110 BPM | ||
| Uptown Philly | Gail Jhonson, Mike Parlett | F Minor | 7 | 4A | 113 BPM | ||
| What's Going On | Mario Rossi, Jeff Kashiwa | A♭ Major | 7 | 4B | 95 BPM | ||
| Lasting Impression | James Vargas | D Minor | 6 | 7A | 91 BPM | ||
| Suede | Marion Meadows | A Minor | 6 | 8A | 100 BPM | ||
| Workin' | Jazz Holdouts | F Major | 7 | 7B | 100 BPM | ||
| Coming Home | Amedeo | B♭ Minor | 6 | 3A | 144 BPM | ||
| Sweet Sundays | Tim Bowman | D♭ Minor | 8 | 12A | 110 BPM | ||
| B's Mood | Bobby Lyle | B♭ Minor | 5 | 3A | 83 BPM | ||
| Let's Take a Ride | Nicholas Cole | B♭ Minor | 6 | 3A | 91 BPM | ||
| Morning Call | Nick Colionne | G Major | 7 | 9B | 104 BPM | ||
| Free as the Wind | Paul Hardcastle | B♭ Minor | 5 | 3A | 113 BPM | ||
| Details | Jacob Webb, Stantawn Kendrick | E♭ Major | 8 | 5B | 112 BPM |