Tracy Lawrence's 'Til I Was a Daddy Too' had a release date set for January 17, 2007. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 11 in For the Love by Tracy Lawrence. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Til I Was a Daddy Too is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Til I Was a Daddy Too by Tracy Lawrence is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Heart Half Empty (feat. Stephanie Bentley) | Ty Herndon, Stephanie Bentley | B♭ Major | 4 | 6B | 148 BPM | ||
| My Front Porch Looking In | Lonestar | F Major | 9 | 7B | 206 BPM | ||
| What I'd Say | Earl Thomas Conley | F♯ Major | 3 | 2B | 118 BPM | ||
| Today's Lonely Fool | Tracy Lawrence | D Major | 5 | 10B | 80 BPM | ||
| You Shouldn't Kiss Me Like This | Toby Keith | G Major | 7 | 9B | 169 BPM | ||
| Clouds | Montgomery Gentry | C Major | 3 | 8B | 64 BPM | ||
| Strong | Tracy Lawrence | D Major | 8 | 10B | 97 BPM | ||
| If Nobody Believed In You | Joe Nichols | F♯ Major | 3 | 2B | 128 BPM | ||
| Hey Mister | Chad Brock | B♭ Major | 3 | 6B | 103 BPM | ||
| Growing Up Is Getting Old | Jason Michael Carroll | G Major | 8 | 9B | 146 BPM | ||
| She Used to Be Mine | Brooks & Dunn | G Major | 4 | 9B | 172 BPM | ||
| Learning As You Go | Rick Trevino | G Major | 7 | 9B | 110 BPM | ||
| Nothin' But The Taillights | Clint Black | G Major | 8 | 9B | 155 BPM | ||
| I Still Miss You | Keith Anderson | E♭ Major | 8 | 5B | 156 BPM | ||
| I See It Now | Tracy Lawrence | F Major | 4 | 7B | 92 BPM | ||
| I'd Rather Miss You | Little Texas | E Major | 5 | 12B | 92 BPM | ||
| Drink, Swear, Steal & Lie | Michael Peterson | B Major | 7 | 1B | 103 BPM | ||
| Come In Out of the Pain | Doug Stone | A Major | 4 | 11B | 71 BPM | ||
| Somebody's Baby | Kevin Sharp | E Major | 4 | 12B | 93 BPM | ||
| Remember The Ride | Perfect Stranger | G Major | 5 | 9B | 79 BPM | ||
| What Mattered Most | Ty Herndon | C Major | 5 | 8B | 142 BPM | ||
| I Loved Her First | Heartland | E Major | 4 | 12B | 137 BPM | ||
| Just One Night | McBride & The Ride | G Major | 2 | 9B | 94 BPM | ||
| Don't Close Your Eyes | Keith Whitley | G Major | 2 | 9B | 78 BPM | ||
| I Want My Life Back | Bucky Covington | C Major | 7 | 8B | 130 BPM |