"Don Giovanni, K. 527, Act II: In quali eccessi, K. 540c (Recit., Vienna Version)" by Wolfgang Amadeus Mozart, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan had its release date on January 1, 1986. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Don Giovanni, K. 527, Act II: In quali eccessi, K. 540c (Recit., Vienna Version)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan's "Mozart: Don Giovanni" album is number 5 out of 66. On top of that, Germany appears to be the country where this track was created. Don Giovanni, K. 527, Act II: In quali eccessi, K. 540c (Recit., Vienna Version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K. 527, Act II: In quali eccessi, K. 540c (Recit., Vienna Version) by Wolfgang Amadeus Mozart, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Schöpfung Hob. XXI:2 / Erster Teil: 12. Rezitativ: Im vollen Glanze steiget jetzt | Franz Joseph Haydn, Gösta Winbergh, Berliner Philharmoniker, James Levine | D Major | 0 | 10B | 90 BPM | ||
| Rossini: Otello, Act I: "Ah si, per voi già sento" - "Premio maggior di questo" - "Amor, dirada il nembo" (Otello, Iago, Chorus) | Gioachino Rossini, Michael Spyres, Choeur de l'Opéra national du Rhin, Sangbae Choï, Marko Letonja, Orchestre Philharmonique De Strasbourg | A Major | 1 | 11B | 109 BPM | ||
| Die Schöpfung Hob. XXI:2 / Zweiter Teil: 15. Arie: Auf starkem Fittiche schwinget sich der Adler stolz | Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine | F Major | 0 | 7B | 130 BPM | ||
| Ariane et Barbe-bleue, Act I: A mort! A mort! - L'avezvous vue dans le carrosse? (Voices of the Crowd, Single Voices) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | E Major | 0 | 12B | 87 BPM | ||
| Die Fledermaus / Act 1: Nr.1 Introduktion: "Täubchen, das entflattert ist" - Edit | Johann Strauss II, Hilde Gueden, Erika Köth, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 66 BPM | ||
| La Clemenza di Tito: Atto primo, scena XI. No.12 Quintetto con coro "Deh, conservate, oh Dei" - Scene XII-XIV [finale] | Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, Freiburger Barockorchester, Sunhae Im, Bernarda Fink, René Jacobs, Marie-Claude Chappuis, Sergio Foresti, Mark Padmore | E♭ Major | 1 | 5B | 69 BPM | ||
| Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 4: Recitativo - Hai Gia Vinta Causa! | Donato Di Stefano, Maria Pia Ionata, Patrizia Pace, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Jozsef Mukk, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | G Major | 2 | 9B | 141 BPM | ||
| Turandot, Act I: Silenzio, olà! (Coro, Ping, Pang, Pong, Calaf, Timur) | Giacomo Puccini, Heinz Zednik, Francisco Araiza, Plácido Domingo, Gottfried Hornik, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan, Wiener Staatsopernchor | D♭ Major | 2 | 3B | 75 BPM | ||
| Wagner: Tristan und Isolde, Act 1: "Frisch weht der Wind der Heimat zu" - "Mir erkoren, mir verloren" (Der junge Seemann, Isolde, Brangäne) | Richard Wagner, Herbert von Karajan, Christa Ludwig, Helga Dernesch, Peter Schreier, Berliner Philharmoniker | C Major | 1 | 8B | 131 BPM | ||
| Lucia di Lammermoor / Act 1: Ancor non giunse! | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 5 | 7B | 79 BPM | ||
| Madama Butterfly / Act 1: Ieri son salita tutta sola in segreto alla Missione | Giacomo Puccini, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 61 BPM | ||
| La Gioconda / Act 1: Voce di donna ... a te questo rosario | Amilcare Ponchielli, Alfreda Hodgson, Montserrat Caballé, Agnes Baltsa, Regolo Romani, John del Carlo, Nicolai Ghiaurov, Luciano Pavarotti, National Philharmonic Orchestra, Bruno Bartoletti | E♭ Major | 1 | 5B | 89 BPM | ||
| Le nozze di Figaro, K.492 / Act 1: "Via resti servita, madama brillante" | Wolfgang Amadeus Mozart, Tatiana Troyanos, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 98 BPM | ||
| Die Schöpfung, Hob. XXI:2, Pt. 1: No. 3, Recit. Und Gott machte das Firmament | Joseph Haydn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 75 BPM | ||
| Simon Boccanegra: Act I: Vieni a mirar la cerula (Amelia, Gabriele, Ancella, Pietro) | Giuseppe Verdi, Marina Rebeka, Francesco Meli, Silvia Cialli, Andrea Pellegrini, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | D♭ Major | 2 | 3B | 75 BPM | ||
| Die Walküre, Act I Scene 3: Du bist der Lenz | Richard Wagner, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 99 BPM | ||
| Götterdämmerung, WWV 86D / Act I: "Seit er von dir geschieden, zur Schlacht nicht mehr schickte uns Wotan" | Richard Wagner, Christa Ludwig, Berliner Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 92 BPM | ||
| Bellini: I puritani: "Ah, dolor! Ah, terror!" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Did you hear what the holy pilgrims said?" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Mikhail Krutikov, Wojciech Drabowicz | A Major | 0 | 11B | 84 BPM | ||
| Cavalleria rusticana: "Dite, mamma Lucia" | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Major | 10 | 12B | 134 BPM | ||
| Così fan tutte, K. 588 / Act I: "Ah, scostati!" | Wolfgang Amadeus Mozart, Angela Brower, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 176 BPM | ||
| Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM | ||
| La bohème, Act IV: Sono andati? | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 90 BPM | ||
| Idomeneo: Atto I, sc.10. No.7 Aria Idamante "Il padre adorato" | Wolfgang Amadeus Mozart, Bernarda Fink, René Jacobs, Freiburger Barockorchester | F Major | 0 | 7B | 88 BPM | ||
| Un ballo in maschera, Act I: Re dell'abisso – Su, fatemi largo | Giuseppe Verdi, Regina Resnik, Luciano Pavarotti, José van Dam, Mario Alessandrini, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | D Major | 0 | 10B | 98 BPM |