Tito Allen's ' "Como Tú Ninguna" was released on its scheduled release date, January 1, 1979. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Como Tú Ninguna's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Untouchable". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Como Tú Ninguna's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Como Tú Ninguna by Tito Allen having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Se Acabo La Soledad - Salsa | Orquesta La Terrifica | B♭ Major | 6 | 6B | 102 BPM | ||
| Ladrón De Tu Amor | Ray De La Paz | A♭ Major | 6 | 4B | 96 BPM | ||
| Una Mujer Secreta | Joe King | E♭ Major | 6 | 5B | 168 BPM | ||
| Mascarada | Johnny Ray | G Major | 8 | 9B | 85 BPM | ||
| Desesperado | Chaney | E♭ Major | 6 | 5B | 91 BPM | ||
| Yo Soy Aquél | Ray De La Paz | A Minor | 7 | 8A | 101 BPM | ||
| Vamonos De Rumba | Conjunto Clásico, Johnny Rivera | D Minor | 8 | 7A | 97 BPM | ||
| La Fuga | Don Perignon, Pedro Brull, La Orquesta Puertorriqueña | A Major | 7 | 11B | 163 BPM | ||
| Todo Me Huele A Ti | Rubby Haddock and Orchesta | D Major | 5 | 10B | 172 BPM | ||
| Cositas Que Se Olvidan | Raphy Leavitt y La Selecta | B Minor | 8 | 10A | 99 BPM | ||
| Mil Amores | Jose Mangual, Jr. | D♭ Major | 7 | 3B | 101 BPM | ||
| Lobo Domesticado "En Vivo" | Tommy Olivencia y Su Orquesta, Hector Tricoche | D Major | 7 | 10B | 98 BPM | ||
| Piel A Piel | Rubby Haddock | B♭ Minor | 4 | 3A | 85 BPM | ||
| En Ti Conoci | Orquesta Cafe | C Major | 7 | 8B | 90 BPM | ||
| Imaginate Mis Manos | Moncho Santana | G Minor | 7 | 6A | 166 BPM | ||
| Mientete | Johnny Ray | B♭ Minor | 9 | 3A | 95 BPM | ||
| Comedia | La Terrifica | G Minor | 2 | 6A | 93 BPM | ||
| Mirame a La Cara | Miles Peña | D Major | 5 | 10B | 174 BPM | ||
| Tú Significas | Tito Allen | C Minor | 6 | 5A | 144 BPM | ||
| Paisaje | Mariano Civico | C Major | 6 | 8B | 180 BPM | ||
| Mujeres Como Tú | Tommy Olivencia | F Minor | 7 | 4A | 97 BPM | ||
| Ella No Esta Marcada | Hector Tricoche | C Major | 6 | 8B | 85 BPM | ||
| Ya Es Tarde | La Critica | A Major | 9 | 11B | 97 BPM | ||
| Lo Pasado Pasado | Junior Gonzalez | C Major | 7 | 8B | 97 BPM | ||
| Compañera | Junior Gonzalez | G Major | 7 | 9B | 93 BPM |