Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini's 'Pieces de viole, Suite No. 5 in C Minor: III. La Leon, Sarabande. Tendrement' had a release date set for September 6, 2011. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 33 in Forqueray: Pieces de viole avec la basse continue by Antoine Forqueray, Paolo Pandolfo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Pieces de viole, Suite No. 5 in C Minor: III. La Leon, Sarabande. Tendrement is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pieces de viole, Suite No. 5 in C Minor: III. La Leon, Sarabande. Tendrement by Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Couperin, L: Simphonie par Mr. Couperin en ré mineur | Louis Couperin, Jean Rondeau, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | A Minor | 2 | 8A | 143 BPM | ||
| Canzoni overo sonate concertate, Op. 12: No. 4, La Treccha | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Mystery Sonata No. 3 "The Nativity": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B♭ Minor | 0 | 3A | 80 BPM | ||
| Trio Sonatas, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
| Concerto grosso No. 3 in D Minor: III. Vivace (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 183 BPM | ||
| Violin Concerto in A Major, TWV 51:A4 "Die Relinge": III. Menuet – alternativement | Georg Philipp Telemann, Stephan Schardt, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 1 | 4B | 92 BPM | ||
| Suite pour trois violes: I. Allemande - Transcribed for Solo Harpsichord | Antoine Forqueray, Justin Taylor | B Minor | 4 | 10A | 100 BPM | ||
| Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
| Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
| Pièces De Viole - 2Eme Suite. Chaconne. La Buisson | Jordi Savall, Antoine Forqueray | F♯ Major | 0 | 2B | 118 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| Passacaglia in D Minor | Johann Caspar Ferdinand Fischer, Trevor Pinnock | D♭ Minor | 4 | 12A | 109 BPM | ||
| Sonata in D-Dur, BuxWV 267: Sonata in D-Dur, BuxWV 267: IV. Solo-Allegro-Allegro-Presto | Dietrich Buxtehude, La Rêveuse, Emily Audouin, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 81 BPM | ||
| Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Couperin, L: Suite en la: VII. Sarabande, G. 23 | Louis Couperin, Jean Rondeau | E♭ Major | 4 | 5B | 90 BPM | ||
| Purcell: The Fairy Queen, Z. 629, Act V: Chaconne | Henry Purcell, Jupiter, Thomas Dunford | B Minor | 1 | 10A | 68 BPM | ||
| Concerto for Two Horns in F Major, RV 538: II. Largo | Antonio Vivaldi, Café Zimmermann, Pablo Valetti, Alexandre Zanetta, Félix Polet | D♭ Minor | 3 | 12A | 83 BPM | ||
| Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
| Couperin, L: Suite en fa: I. Simphonie par Mr. Couperin (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | A Minor | 2 | 8A | 143 BPM | ||
| Concerto in E Minor for Violin, Flute and Strings, TWV 52:E3: II. Adagio | Georg Philipp Telemann, Florilegium, Ashley Solomon, Rachel Podger | D♭ Minor | 3 | 12A | 83 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Violin Sonata No. 6 in C Minor, C. 143: I. — | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | B Minor | 1 | 10A | 85 BPM | ||
| Rameau: Les Boréades: Ouverture | Jean-Philippe Rameau, Gyorgy Vashegyi, Orfeo Orchestra | E Major | 1 | 12B | 98 BPM | ||
| Mystery Sonata No. 5 "The 12-Year-Old Jesus in the Temple": III. Gigue | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| Suite No. 2 in G Major: No. 3, La du Breüil. Louré | Antoine Forqueray, Jean-Baptiste Forqueray, Myriam Rignol, Pau Marcos Vicens, Gabriel Rignol, Julien Wolfs | F♯ Major | 0 | 2B | 102 BPM |