"Lindy Leaves Eddie" by Paul Leonard-Morgan had its release date on January 1, 2011. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Paul Leonard-Morgan's "Limitless" album is number 17 out of 25. On top of that, United States appears to be the country where this track was created. In terms of popularity, Lindy Leaves Eddie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lindy Leaves Eddie by Paul Leonard-Morgan to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Life of May | Philip Glass, Paul Leonard-Morgan | B Major | 0 | 1B | 77 BPM | ||
| All F*cked Up! | Danny Elfman | A Minor | 1 | 8A | 119 BPM | ||
| Avery & Graysmith, Toschi & Armstrong | David Shire | A Major | 2 | 11B | 69 BPM | ||
| Leaving It All Behind | Sam Hulick | D Major | 0 | 10B | 80 BPM | ||
| Decoy | Christophe Beck | D Minor | 2 | 7A | 142 BPM | ||
| The Covenant | Jed Kurzel | D♭ Major | 1 | 3B | 121 BPM | ||
| Boardroom | Theodore Shapiro | D♭ Minor | 0 | 12A | 80 BPM | ||
| I'm Right Behind You | Ryan Amon | F Minor | 6 | 4A | 96 BPM | ||
| The Atlas Crew | Will Bates | F♯ Minor | 4 | 11A | 129 BPM | ||
| Abstergo | Jed Kurzel | E Major | 1 | 12B | 130 BPM | ||
| Time Runs Out | Dario Marianelli | D Major | 4 | 10B | 120 BPM | ||
| For Paris | Rob Simonsen | D Minor | 2 | 7A | 130 BPM | ||
| Live, Die, Repeat (End Title) | Christophe Beck | C Minor | 2 | 5A | 80 BPM | ||
| Tell Me the Opsuit's Not Flammable | Mike Zarin, Tony Hajjar | B♭ Major | 3 | 6B | 135 BPM | ||
| Burying the Book | Philip Glass, Paul Leonard-Morgan | A Major | 0 | 11B | 125 BPM | ||
| Not Afraid To Die | Jack Bartman | D Minor | 3 | 7A | 79 BPM | ||
| 2.0_9-unexpectedpresents.m4b | Mac Quayle | C Major | 1 | 8B | 114 BPM | ||
| Kevin Wendell Crumb | West Dylan Thordson | F Minor | 1 | 4A | 100 BPM | ||
| Dr. Fletcher and the World | West Dylan Thordson | B♭ Major | 1 | 6B | 75 BPM | ||
| The Panama Pump | Mark Isham | B Major | 0 | 1B | 80 BPM | ||
| Robin's Legacy | Christopher Drake | D Major | 2 | 10B | 127 BPM | ||
| Will's Confession | David Julyan | B Minor | 0 | 10A | 101 BPM | ||
| Never Read Him | Cliff Martinez | C Minor | 0 | 5A | 81 BPM | ||
| Freezing Outside: Harvey | John Murphy, Underworld | C Major | 3 | 8B | 73 BPM | ||
| Trading Up | Paul Leonard-Morgan | G Major | 9 | 9B | 113 BPM |