"Hari Dhwani - Raga Lalit - Jod Jhala" by Hariprasad Chaurasia, Rakesh Chaurasia, Rupak Kulkarni had its release date on February 26, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hariprasad Chaurasia's "Hari Dhwani - Raga Lalit" album is number 3 out of 5. Hari Dhwani - Raga Lalit - Jod Jhala is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hari Dhwani - Raga Lalit - Jod Jhala by Hariprasad Chaurasia, Rakesh Chaurasia, Rupak Kulkarni to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sarod Hembihag | Bapu Padmanabha | F♯ Minor | 1 | 11A | 137 BPM | ||
| Bhajan in Mishra Khamaj | Murad Ali Khan | F Major | 6 | 7B | 114 BPM | ||
| Raga Bhimpalasi | Ashwini Bhide-Deshpande | B Major | 1 | 1B | 165 BPM | ||
| Rasiya | Bickram Ghosh, Kala Ramnath | D Minor | 6 | 7A | 133 BPM | ||
| Sargam Surge | Purbayan Chatterjee, Kaushiki Chakraborty, Yogesh Samsi, V. Selvaganesh | A Major | 8 | 11B | 127 BPM | ||
| Raag Saraswati - Alap | Rakesh Chaurasia, Vijay Ghate, Pt. Bhawani Shankar | F♯ Minor | 0 | 11A | 57 BPM | ||
| Rag Khamaj Sitar Flow | Will Marsh | D Major | 3 | 10B | 103 BPM | ||
| Raga Bhairavi - Thumri - Teentaal | Hariprasad Chaurasia | E Minor | 4 | 9A | 129 BPM | ||
| Janani Ninnuvina | M.S. Gopalakrishnan | F♯ Minor | 4 | 11A | 160 BPM | ||
| Water Girl | Zakir Hussain | A Major | 1 | 11B | 115 BPM | ||
| Raaga Bhairav - Dadra | Ronu Majumdar, Ajeet Pathak | E Major | 2 | 12B | 158 BPM | ||
| Gat in medium Teental (16 beats) | Ken Zuckerman | C Major | 3 | 8B | 151 BPM | ||
| Fast tintal | Manilal Nag | G Major | 4 | 9B | 143 BPM | ||
| Puriya Dhanashri | Hariprasad Chaurasia | B Major | 2 | 1B | 87 BPM | ||
| Pani Hari | Linda Shanovitch, Baluji Shrivastav, Chris Conway, Hossam Ramzy | A Minor | 3 | 8A | 68 BPM | ||
| Meeting Of Two Oceans | Chinmaya Dunster | D♭ Major | 0 | 3B | 134 BPM | ||
| Raga Madhuvanti: Alap, Jor (Live) | Srdjan Beronja | D Major | 7 | 10B | 110 BPM | ||
| Basant Mukhari Gat in Jhaptal | Sushmita Roy | G Major | 3 | 9B | 146 BPM | ||
| A Sunrise Serenade (Todi Alaap) | Debashish Bhattacharya, Subhasis Bhattacharjee, Anandi Bhattacharya, Suryadipta Bhattacharya | E♭ Major | 1 | 5B | 77 BPM | ||
| Maru Bihag | Shruti Sadolikar | A♭ Major | 4 | 4B | 122 BPM | ||
| Sitar Meditation | Mantra Live, Glenn Sharp | F Major | 0 | 7B | 85 BPM | ||
| Sufi Bhakti | Debashish Bhattacharya | D Minor | 3 | 7A | 146 BPM | ||
| Raga Aberi Track 03 | L. Shankar | B♭ Minor | 6 | 3A | 88 BPM | ||
| Bhopali | Shiv Kumar Sharma|Hariprasad Chaurasia | B♭ Major | 4 | 6B | 149 BPM | ||
| Nartaki | Baluji Shrivastav, Re-Orient | D Major | 5 | 10B | 88 BPM |