Pierre Charlon's 'Ave Maria (Instrumental)' had a release date set for January 1, 2024. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Ave Maria (Instrumental)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Ave Maria (Instrumental) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, Ave Maria (Instrumental)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Ave Maria (Instrumental) by Pierre Charlon is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Sleep In The Subway | Ronnie Aldrich and his 2 pianos, London Festival Orchestra | E♭ Major | 4 | 5B | 146 BPM | ||
| The Nadia`s Theme | Young Pop`s Orchestra | G Minor | 2 | 6A | 80 BPM | ||
| El Mar | Richard Mayner | G Major | 2 | 9B | 137 BPM | ||
| Chariots of Fire | Johnny Pearson and His Orchestra | A Major | 3 | 11B | 97 BPM | ||
| Tres Veces Dama | Francis Pourcel Orchestra | A♭ Major | 2 | 4B | 172 BPM | ||
| Bilits | Discovey Light Orchestra | G Major | 3 | 9B | 134 BPM | ||
| Llamo para Decirte Que Te Amo | Francis Pourcel Orchestra | E♭ Minor | 5 | 2A | 115 BPM | ||
| On the Street Where You Live | Jean Paques | D Minor | 3 | 7A | 163 BPM | ||
| Put Your Head On My Shoulder | Gary Freeman | C Major | 2 | 8B | 114 BPM | ||
| Si Tu Te Vas | Giovanni Vivanco | B Major | 4 | 1B | 135 BPM | ||
| Are You Lonesome Tonight? | Fausto Barbieri | D Major | 2 | 10B | 181 BPM | ||
| With You I'm Born Again | Botticelli | E Minor | 3 | 9A | 170 BPM | ||
| You're My Everything (Instrumental) | Maximo Spodek | B♭ Major | 4 | 6B | 82 BPM | ||
| Music To Watch Girls By | Ronnie Aldrich and his 2 pianos, London Festival Orchestra | G Minor | 5 | 6A | 142 BPM | ||
| Killing Me Softly | Richard Zillersman | E Minor | 4 | 9A | 129 BPM | ||
| Lo Que el Viento Se Llevó (Tara's Theme) | Sounds Unlimited Orchestra & The London Philarmonic Orchestra | A♭ Major | 3 | 4B | 92 BPM | ||
| La Gloria Eres Tu - Instrumental | Luis Siu Riveron | C Major | 3 | 8B | 112 BPM | ||
| Adios, Mariquita Linda | Natural Beat Records | B♭ Major | 1 | 6B | 94 BPM | ||
| Himno al Amor | Johnny Days Orchestra | F♯ Major | 3 | 2B | 148 BPM | ||
| La Puerta | Angel Roque | C Major | 4 | 8B | 80 BPM | ||
| La Barca | EDDY GUIRAO | D Major | 5 | 10B | 93 BPM | ||
| The fishes | Théon Ardel | C Minor | 4 | 5A | 118 BPM | ||
| La Sombra de Tu Sonrisa | Melodías Mágicas | G Major | 6 | 9B | 120 BPM | ||
| Concierto de Aranjuez | Johnny Pearson Y Su Orquesta | B Minor | 2 | 10A | 139 BPM | ||
| Morning Has Broken | Johnny Pearson and His Orchestra | C Major | 2 | 8B | 143 BPM |