Kosindra, Rishi Pal, Santhosh's ' "Dekhi Sei" was released on its scheduled release date, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kosindra, Rishi Pal, Santhosh's "Hariyanvi Kissa Damyanti Haran" album is number 5 out of 14. On top of that, France appears to be the country where this track was created. Based on our statistics, Dekhi Sei's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Dekhi Sei by Kosindra, Rishi Pal, Santhosh to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aakhri Do Bol Gori | Koshinder Khadana | F Minor | 7 | 4A | 146 BPM | ||
| Paunahari Tere Darshan Jo | Pola Ram Dhangwal, Anuradha Paudwal, Anjali, Urmila | G Major | 4 | 9B | 69 BPM | ||
| Raja Mordhwaj Ki Jeevni, Pt. 5 | Ramniwas Rao | D♭ Major | 8 | 3B | 133 BPM | ||
| Sei Baniya | Kosindra, Rishi Pal, Santhosh | E Minor | 7 | 9A | 133 BPM | ||
| Lal Langoto Haath Main Soto | Manish Tiwari | F♯ Major | 4 | 2B | 131 BPM | ||
| Radha Radha Pukare | Punam Didi | C Minor | 5 | 5A | 112 BPM | ||
| Lehari Anahad | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Din Jab Nikla Kiran Jo Futi | Brijesh Shastri | A Major | 7 | 11B | 98 BPM | ||
| You Are Great Bhola | Lakhbir Singh Lakkha | E♭ Major | 7 | 5B | 110 BPM | ||
| Hy Hy Luteej Gaye Hain | Ramzan bawas | A Minor | 9 | 8A | 93 BPM | ||
| Sejiya Pe Chad Gail Chor | Ujala Yadav | F♯ Major | 9 | 2B | 112 BPM | ||
| Chand Kiran Ne | Kosindra, Rishi Pal | G Major | 9 | 9B | 152 BPM | ||
| Hanuman Tera Kya Kehna | Lakhbir Singh Lakkha | D♭ Major | 7 | 3B | 117 BPM | ||
| Champa Chamelie | Dewindersingh Sewnath | G Major | 8 | 9B | 85 BPM | ||
| Charo Taraf Dekha Part 5 | Swami Aadhar Chaitanya | A Major | 5 | 11B | 132 BPM | ||
| Hanumat Nahi Aye Raingaye | Surjan chaitanya | D Major | 6 | 10B | 122 BPM | ||
| Dil Le Gao Muraliya Vale | Halke Ram Kushwah | A♭ Major | 9 | 4B | 188 BPM | ||
| Naihar Jaat Bani | Khesari Lal Yadav | B♭ Major | 10 | 6B | 154 BPM | ||
| Saanware Aai Jaiyo | Ravindra Sathe | D♭ Major | 5 | 3B | 67 BPM | ||
| Gori Jab Se gai Rai Lokgeet | Soniya Studio, Mohan Kushwaha Arvindra | G Major | 9 | 9B | 148 BPM | ||
| Tola Aise Rangahu Turi Fagun Ma | Nilkamal Vaishnav | F Minor | 9 | 4A | 120 BPM | ||
| Pati Hai Mero Neech Gawar | Brijesh Shastri | B Major | 6 | 1B | 103 BPM | ||
| Ye To Bata To Barsane Wali | Bhaiya Krishan Das Ji | F♯ Major | 8 | 2B | 142 BPM | ||
| Kasi Ke Bajar Main | Koshinder Khadana, Rishipal | A♭ Minor | 4 | 1A | 79 BPM | ||
| Toye Nar Tan So Konau Na Tan Milne Bundeli Chetavni Geet | Chandra Bhushan Pathak | D♭ Major | 8 | 3B | 84 BPM |