David Popper, Patrick Demenga, Thomas Demenga's 'Suite for Two Cellos: III. Scherzo' had a release date set for January 1, 1989. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Suite for Two Cellos: III. Scherzo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 12 in Cello Duets by Patrick Demenga, Thomas Demenga. Based on our statistics, Suite for Two Cellos: III. Scherzo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite for Two Cellos: III. Scherzo by David Popper, Patrick Demenga, Thomas Demenga is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
| 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | E Minor | 2 | 9A | 82 BPM | ||
| Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
| Caprice 1 in D-Sharp Major | Pietro Locatelli, Gabriel Tchalik | D Major | 2 | 10B | 105 BPM | ||
| Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen, Noreen Polera | G Minor | 1 | 6A | 75 BPM | ||
| Viola Concerto in G Minor: II. Andante un poco sostenuto | Cecil Forsyth, Baden-Badener Philharmonie, Hartmut Rohde, Pavel Baleff | F Major | 1 | 7B | 75 BPM | ||
| Die Worte des Erlösers am Kreuze, Hob. XX:1: IX. Il Terremoto | Joseph Haydn, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 5 | 9B | 155 BPM | ||
| Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | F Major | 2 | 7B | 122 BPM | ||
| Concerto No. 2 in B Minor for Double Bass and Orchestra: I. Allegro moderato | Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | E Minor | 1 | 9A | 126 BPM | ||
| Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, Metamorphose String Orchestra, Pavel Lyubomudrov | C Major | 2 | 8B | 175 BPM | ||
| Violin Concerto No. 1 in A Minor, Op. 77: IIIa. Passacaglia. Andante | Dmitri Shostakovich, Hilary Hahn, Oslo Philharmonic Orchestra, Marek Janowski, Oslo-Filharmonien | D♭ Major | 1 | 3B | 178 BPM | ||
| Leclair: Sonata for 2 Violins in E Minor, Op. 3 No. 5: III. Presto | Jean-Marie Leclair, Itzhak Perlman, Pinchas Zukerman | G Major | 3 | 9B | 126 BPM | ||
| Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
| Sonata X in G Major for Two Cellos: III. Allegro prestissimo | Jean Barrière, Patrick Demenga, Thomas Demenga | D Major | 2 | 10B | 153 BPM | ||
| Spanish Dance No. 2 | David Popper, Pablo Casals, Charles Albert Baker | B Minor | 1 | 10A | 75 BPM | ||
| Sicilienne for Cello & Piano, Op. 78 | Axel Salmona, Tatsiana Zakharava-Dahan | G Minor | 1 | 6A | 134 BPM | ||
| Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): III. Rondo (Allegro giocoso) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | F♯ Minor | 1 | 11A | 105 BPM | ||
| Violin Concerto in E Minor, Op. 64, MWV O 14: I. Allegro molto appassionata | Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | E Minor | 1 | 9A | 98 BPM | ||
| Overture Matilde di Shabran | Gioachino Rossini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | A Major | 2 | 11B | 142 BPM | ||
| Chanson villageoise, Op. 62 No. 2 | David Popper, Alban Gerhardt, Cecile Licad | A Minor | 0 | 8A | 87 BPM | ||
| Spohr: Duo Concertante in D Major, Op. 67 No. 2: I. Allegro | Louis Spohr, Itzhak Perlman, Pinchas Zukerman | D Major | 2 | 10B | 130 BPM | ||
| Bottesini: Grande allegro di concerto (alla Mendelssohn) | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | E Minor | 2 | 9A | 136 BPM | ||
| Accolay: Violin Concerto No. 1 in A Minor | Jean Baptist Accolay, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 97 BPM | ||
| Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): I. Presto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 131 BPM | ||
| La Cinquantaine - Arranged for Cello and Harp by Miriam Keogh | Gabriel-Marie, None, Sebastian Comberti, Miriam Keogh | A Major | 1 | 11B | 90 BPM |