"Adage 3 (Romeo and Juliet)" by Nate Fifield had its release date on October 1, 2021. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 30 in Ballet Class Music: The Great Ballets, Vol. 2 by Nate Fifield. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. In terms of popularity, Adage 3 (Romeo and Juliet) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adage 3 (Romeo and Juliet) by Nate Fifield is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Reverence All I Ask of You | Lisa Harris | D♭ Major | 1 | 3B | 67 BPM | ||
| Plié - 4/4 | Venti Petrov, Ferdy Tumakaka | F Major | 2 | 7B | 146 BPM | ||
| Battement tendu jeté 6/8 | The Ballet Pianist | G Major | 3 | 9B | 137 BPM | ||
| Battement Frappe / Enjoy Being a Girl | Matthew J Gregory | E♭ Major | 2 | 5B | 98 BPM | ||
| Pirouette 3/4: The Family Madrigal | Daniel Fifield | D♭ Major | 2 | 3B | 150 BPM | ||
| Fouettes (Coda) | Josu Gallastegui | E♭ Major | 3 | 5B | 131 BPM | ||
| Barre: Fondus and Balance | Nolwenn Collet | E♭ Minor | 9 | 2A | 123 BPM | ||
| Tendu (Version 2) | Igor Zapravdin | A Major | 1 | 11B | 129 BPM | ||
| Demi Plié, Grand Plie, Port De Bras. Metre 4/4. | Vadim Proshich, MetodoVadim | D Major | 4 | 10B | 136 BPM | ||
| Warm Up (Swan Lake) | Nate Fifield | B Minor | 1 | 10A | 85 BPM | ||
| Adagio: City Theme (Theme from Rudy) | Josu Gallastegui | D♭ Major | 1 | 3B | 65 BPM | ||
| Ronds de jambe à térre-Port de bras 3/4 (Waltz Sentimental) | Eun S. Kim | F Minor | 1 | 4A | 110 BPM | ||
| Fondu | Aly Tejas | E♭ Major | 2 | 5B | 129 BPM | ||
| Pirouettes Waltz of My Heart | Matthew J Gregory | E♭ Major | 2 | 5B | 76 BPM | ||
| Sequence (Plie) | Josu M Gallastegui, Josu Gallastegui | C Major | 2 | 8B | 95 BPM | ||
| First Pirouette Waltz (from Don Quixote) | Douglas Schultz, Ludwig Minkus | D Major | 2 | 10B | 140 BPM | ||
| Plies (with Repeat) | Miro Magloire, Wilhelm Burmann | C Major | 0 | 8B | 85 BPM | ||
| Warming up (F. Chopin Op.55 No.1) | Youngsin Sarah Choi | E♭ Major | 1 | 5B | 104 BPM | ||
| Same Temperature | Minntu Floriani | G Major | 0 | 9B | 140 BPM | ||
| Ronds de jambe à terre (P. I. Tchaikovsky Op.23 No.1) | Youngsin Sarah Choi | D♭ Major | 1 | 3B | 94 BPM | ||
| Lava (révérence) | Nate Fifield | C Major | 1 | 8B | 129 BPM | ||
| Ronds de Jambe (Slavonic Dances) | Nate Fifield | D Major | 0 | 10B | 135 BPM | ||
| Grand pas classique: Female Variation | Daniel Auber, Charles Mathews | F Major | 2 | 7B | 112 BPM | ||
| Adage | Ayumi HIRUSAKI | E♭ Major | 1 | 5B | 68 BPM | ||
| Rond de jambe a terre- Scilienne op. 78 | Ballet pianist Mia | B Major | 1 | 1B | 69 BPM |