Miles Davis's ' "Holly-wuud - Derived from take 3" was released on its scheduled release date, October 11, 1972. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Holly-wuud - Derived from take 3's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "The Complete On The Corner Sessions". In this album, this song's track order is #7. Based on our statistics, Holly-wuud - Derived from take 3's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Holly-wuud - Derived from take 3 by Miles Davis having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flamenco Sketches (feat. John Coltrane, Cannonball Adderley & Bill Evans) | Miles Davis, John Coltrane, Cannonball Adderley, Bill Evans | D Minor | 0 | 7A | 178 BPM | ||
| Something I Dreamed Last Night | Miles Davis Quintet | C Major | 1 | 8B | 117 BPM | ||
| Peace | Ornette Coleman | B Major | 1 | 1B | 127 BPM | ||
| Dedicated To You | Freddie Hubbard | B♭ Major | 1 | 6B | 125 BPM | ||
| All Blues | Ron Carter | C Major | 2 | 8B | 116 BPM | ||
| Since I Fell For You - Rudy Van Gelder Edition / 2007 / Digital Remaster | Lee Morgan | A♭ Major | 2 | 4B | 166 BPM | ||
| Watermelon Man - Remastered 2007 | Herbie Hancock | C Minor | 5 | 5A | 129 BPM | ||
| I've Got A Crush On You | Thad Jones | B♭ Major | 1 | 6B | 83 BPM | ||
| Oleo - RVG Remaster | Miles Davis, Sonny Rollins, Horace Silver, Kenny Clarke, Percy Heath | G Minor | 3 | 6A | 112 BPM | ||
| When I Fall In Love | Bill Evans, Scott LaFaro, Paul Motian | E♭ Major | 0 | 5B | 162 BPM | ||
| It Never Entered My Mind (feat. John Coltrane, Red Garland, Paul Chambers & Philly Joe Jones) - Live at Pasadena Civic Auditorium, Pasadena, CA - February 1956 | Miles Davis, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones | A♭ Major | 0 | 4B | 120 BPM | ||
| Strange Meadow Lark | The Dave Brubeck Quartet | A♭ Major | 1 | 4B | 125 BPM | ||
| Young And Foolish | Bill Evans | A Major | 0 | 11B | 101 BPM | ||
| Moment's Notice - Remastered | John Coltrane | A♭ Major | 4 | 4B | 123 BPM | ||
| Matrix | Chick Corea | F Minor | 6 | 4A | 89 BPM | ||
| Ornithology | Bud Powell | G Minor | 3 | 6A | 88 BPM | ||
| Blue Room - Take 2 | Miles Davis | A♭ Major | 1 | 4B | 142 BPM | ||
| Laird Baird | Charlie Parker Quartet | C Minor | 3 | 5A | 80 BPM | ||
| St. Thomas | Sonny Rollins, Tommy Flanagan, Doug Watkins, Max Roach | C Major | 6 | 8B | 105 BPM | ||
| Dat Dere | Bobby Timmons | A♭ Major | 3 | 4B | 135 BPM | ||
| Blue Train - Remastered | John Coltrane | A♭ Major | 3 | 4B | 136 BPM | ||
| Blue Skies | Art Tatum | F♯ Major | 1 | 2B | 177 BPM | ||
| Take Ten | Paul Desmond | C Major | 2 | 8B | 87 BPM | ||
| In The Wee Small Hours Of The Morning | Art Blakey | F Major | 0 | 7B | 182 BPM | ||
| Nature Boy | Miles Davis | D Minor | 1 | 7A | 65 BPM |