Holly-wuud - Derived from take 3
Miles Davis
The Complete On The Corner Sessions
2:55 October 11, 1972
BPM
140
Key
F Major
Camelot
7B

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Holly-wuud - Derived from take 3 by Miles Davis Song Details

Miles Davis's ' "Holly-wuud - Derived from take 3" was released on its scheduled release date, October 11, 1972. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Holly-wuud - Derived from take 3's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "The Complete On The Corner Sessions". In this album, this song's track order is #7. Based on our statistics, Holly-wuud - Derived from take 3's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

With Holly-wuud - Derived from take 3 by Miles Davis having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-8.885 dB
Acousticness
31%
Danceability
59%
Energy
69%
Instrumentalness
0%
Liveness
8%
Loudness
85%
Speechiness
18%
Valence
66%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records