"Moves Like an Ape, Looks Like a Man - From "Tarzan"/Score" by Mark Mancina, Phil Collins had its release date on January 1, 1999. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Moves Like an Ape, Looks Like a Man - From "Tarzan"/Score's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Tarzan (Banda Sonora Original)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Based on our statistics, Moves Like an Ape, Looks Like a Man - From "Tarzan"/Score's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Moves Like an Ape, Looks Like a Man - From "Tarzan"/Score by Mark Mancina, Phil Collins having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Guide My Sword | Mark Knopfler | A Minor | 2 | 8A | 74 BPM | ||
| Longing for Home | Joel McNeely | E Minor | 0 | 9A | 69 BPM | ||
| The Mouse | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 53 BPM | ||
| Majestic Submarine Forests - From "Our Planet" | Steven Price | B♭ Minor | 1 | 3A | 72 BPM | ||
| Das Schiff | Christophe Beck | B♭ Major | 0 | 6B | 135 BPM | ||
| The Never-Feast | John Williams | A♭ Minor | 1 | 1A | 96 BPM | ||
| Magical House Cleaning / Blue or Pink - From "Sleeping Beauty"/Score | George Bruns | F Minor | 3 | 4A | 122 BPM | ||
| Son of Man - From "Tarzan"/Soundtrack Version | Phil Collins | D Major | 9 | 10B | 142 BPM | ||
| Storybook | Geoff Zanelli, Jon Brion | A Minor | 1 | 8A | 77 BPM | ||
| Fog Bound | Klaus Badelt | E Minor | 1 | 9A | 86 BPM | ||
| The Jungle Book Closes | John Debney | F Major | 1 | 7B | 66 BPM | ||
| A Window to the Past | John Williams | A Minor | 0 | 8A | 107 BPM | ||
| Welcome to the Family | Joseph Trapanese | C Major | 1 | 8B | 128 BPM | ||
| Arrival To Netherfield - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | C Major | 2 | 8B | 89 BPM | ||
| I'll Never See Him Again | Alan Menken | G Major | 0 | 9B | 94 BPM | ||
| Bambi Gets Twitterpated / Stag Fight - From "Bambi"/Score | Frank Churchill, Ed Plumb, Larry Morey | E♭ Major | 2 | 5B | 100 BPM | ||
| Sails to Te Fiti - Score Demo | Mark Mancina | C Minor | 4 | 5A | 123 BPM | ||
| Ben | Trevor Rabin | C Major | 1 | 8B | 119 BPM | ||
| To Lead | Mark Isham | D Major | 3 | 10B | 86 BPM | ||
| Es kommt zu dir - Instrumental | Kristen Anderson-Lopez, Robert Lopez | F Major | 2 | 7B | 79 BPM | ||
| Soaring over Hogwarts | J Scott Rakozy, Hogwarts Legacy | G Major | 3 | 9B | 87 BPM | ||
| The Eye Of The Storm | Michael Kamen | E Minor | 5 | 9A | 138 BPM | ||
| Cora | Trevor Jones | E Major | 1 | 12B | 70 BPM | ||
| The Painting | David Arnold | B♭ Major | 5 | 6B | 119 BPM | ||
| In Search Of The Grail | Trevor Jones | D Minor | 1 | 7A | 57 BPM |