Claudio Monteverdi, Christina Pluhar's ' "L'Orfeo, SV 318, Act III: Toccata per l'arpa" was released on its scheduled release date, November 21, 2025. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Orfeo son io". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. In terms of popularity, L'Orfeo, SV 318, Act III: Toccata per l'arpa is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With L'Orfeo, SV 318, Act III: Toccata per l'arpa by Claudio Monteverdi, Christina Pluhar having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Capricci a due stromenti cioè tiorba e tiorbino: Cecchina Corrente | Bellerofonte Castaldi, Albane Imbs, Rolf Lislevand | F♯ Major | 2 | 2B | 137 BPM | ||
| Byrd: Christe redemptor a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 95 BPM | ||
| Dowland: A Dream, P. 75 | John Dowland, Thomas Dunford | F♯ Major | 1 | 2B | 77 BPM | ||
| Recorder Sonata in F Major, Op. 1/11, HWV 369: III. Alla Siciliana | George Frideric Handel, Paul Nicholson, Rachel Beckett, Richard Tunnicliffe | D♭ Minor | 0 | 12A | 116 BPM | ||
| Mystery Sonata No. 3 "The Nativity": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B♭ Minor | 0 | 3A | 80 BPM | ||
| A Fancy | John Dowland, Christoph Denoth | E Minor | 1 | 9A | 107 BPM | ||
| Sarabande grave | Antonio Bertali, Bernhard Hofstötter | F♯ Minor | 1 | 11A | 77 BPM | ||
| Suite for 2 Lutes in Bb (Baron) - Minuet | Edward Martin and Paul Berget | E Major | 1 | 12B | 99 BPM | ||
| Concerto in E Minor for Violin, Flute and Strings, TWV 52:E3: II. Adagio | Georg Philipp Telemann, Florilegium, Ashley Solomon, Rachel Podger | F♯ Minor | 2 | 11A | 100 BPM | ||
| 8 Pieces for Flute and Organ: No. 4, Flute Piece (After W. Hine) | Richard Slater, Dominic Trumfio, Kelly Dobbs Mickus | F Major | 0 | 7B | 81 BPM | ||
| Byrd: My Lord Willoughby's Welcome Home | William Byrd, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| O Sing Unto the Lord a New Song, HWV 249b: I. Sonata. Grave - Allegro | George Frideric Handel, Arcangelo, Jonathan Cohen | E Major | 2 | 12B | 153 BPM | ||
| Lute Sonata in E-Flat Major, Op. 1, No. 2: III. Vivace | Adam Falckenhagen, Andrew Maginley | D♭ Minor | 2 | 12A | 91 BPM | ||
| Fantasia in G Minor, P. 7: 7 Fantasies: No. 7, A Fancy, P. 7 | John Dowland, Nigel North | F Minor | 1 | 4A | 78 BPM | ||
| La Suave Melodia | Andrea Falconieri, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Pieza en D Major, WKO 186: I. Allegro | Carl Friedrich Abel, Pere Ros | D♭ Major | 2 | 3B | 151 BPM | ||
| Suite in G Minor: I. Sarabande | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Sonate pour le violon et le clavecin in D Minor: I. [...] | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | D♭ Minor | 1 | 12A | 105 BPM | ||
| Rosary Sonata No. 1 in D Minor "Mariæ Verkündigung": I. Praeludium | Heinrich Ignaz Franz von Biber, Leila Schayegh, La Centifolia | F♯ Minor | 2 | 11A | 100 BPM | ||
| Pièces de viole, Book 2, Suite in E Minor: No. 96, Prélude | Marin Marais, La Rêveuse, Florence Bolton, Emily Audouin, Carsten Lohff, Benjamin Perrot | E♭ Minor | 0 | 2A | 137 BPM | ||
| Sonata seconda du IIème Livre de Sonates à violon seul et basse continue: Andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Viola da gamba Sonata in E Minor, A2:7: I. Siciliano | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | F♯ Major | 0 | 2B | 95 BPM | ||
| Fuga in A Major | Adam Falckenhagen, Carlos Torres | A♭ Major | 3 | 4B | 85 BPM | ||
| Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
| Largo BWV1005 | 五十嵐紅 | F Major | 1 | 7B | 70 BPM |