Milind Ingle's ' "Rimzhim Barso Megh" was released on its scheduled release date, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Yeh Hai Prem (Original Motion Picture Soundtrack) by Milind Ingle. The song's track number on the album is #5 out of 10 tracks. In terms of popularity, Rimzhim Barso Megh is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Rimzhim Barso Megh by Milind Ingle has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rimzhim Barso Megh being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ritu Hirwa | Asha Bhosle | F Major | 5 | 7B | 125 BPM | ||
| Jara Chukiche | Sandeep Khare, Salil Kulkarni | E Major | 4 | 12B | 88 BPM | ||
| Aata Tari Deva Mala Pavshil Ka | Prahlad Shinde | A Major | 8 | 11B | 97 BPM | ||
| Mere Tere Naam | S. P. Balasubrahmanyam | A♭ Minor | 7 | 1A | 166 BPM | ||
| Saang Na | Shekhar Ravjiani | G Major | 4 | 9B | 120 BPM | ||
| Bharajari Ga Pitambara - From "Shyamchi Aai" | Ashok Patki, Rucha Bondre, Pralhad Keshav Atre | B♭ Major | 7 | 6B | 101 BPM | ||
| Tarun Aahe Ratra Ajunahi | Shankar Mahadevan, Sapna Pathak | E♭ Minor | 5 | 2A | 115 BPM | ||
| Kuni Majhya Manat Laplay Re | Usha Mangeshkar, Chandrashekhar Gadgil | A Minor | 3 | 8A | 88 BPM | ||
| Maarva - Male Version | Jasraj Joshi | E Major | 4 | 12B | 72 BPM | ||
| Megh Nasta Vij Nasta | Sandeep Khare | F Major | 4 | 7B | 118 BPM | ||
| Tujh Lageen Saalu | Vaishali Samant, Yash Narvekar | E Major | 5 | 12B | 81 BPM | ||
| Pyaar To Hona Hi Tha | Jatin-Lalit, Remo Fernandes, Jaspinder Narula | A Major | 7 | 11B | 117 BPM | ||
| Tula Pahate Re | Aarya Ambekar, Ashok Patki | B♭ Major | 3 | 6B | 104 BPM | ||
| Ugvali Sukhrachi | Aarati Ankalikar | B♭ Minor | 6 | 3A | 110 BPM | ||
| Ti Geli Tevha Rim Zhim | Hridaynath Mangeshkar | F♯ Major | 2 | 2B | 181 BPM | ||
| Chandra Aahe Sakshiila | Sudhir Phadke, Asha Bhosle | A Minor | 3 | 8A | 95 BPM | ||
| Tujha Ani Majha | Aniket Kadam | E♭ Minor | 5 | 2A | 95 BPM | ||
| Drushta Lagnya Joge Sare | Anuradha Paudwal, Suresh Wadkar | A♭ Minor | 6 | 1A | 86 BPM | ||
| Khel Mandala | Ajay Gogavale | C Major | 2 | 8B | 80 BPM | ||
| Ye Naar Ye Naar | Angha Domse, Jaanvi Arora | F Major | 5 | 7B | 100 BPM | ||
| Mauj Masti | Hrishikesh, Amey Date | B♭ Major | 8 | 6B | 130 BPM | ||
| Jambhul Pikalya Zadakhali | Asha Bhosle, Ravindra | G Major | 5 | 9B | 91 BPM | ||
| Galavar Khali | Swapnil Bandodkar | G Major | 8 | 9B | 172 BPM | ||
| Vitthala Shappath | Rahul Deshpande | C Major | 4 | 8B | 123 BPM | ||
| Punha Pawsala Sangayache | Milind Ingle | A Major | 8 | 11B | 97 BPM |