Hemant Kumar, Ranu Mukherjee, Ameen Sayani, Raghunath Seth, Dheeraj's ' "Commentary And Sanjh Khile Bhor Jharay" was released on its scheduled release date, April 30, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jaidev's "Geetmala Ki Chhaon Mein Vol. 31-35" album is number 68 out of 69. On top of that, India appears to be the country where this track was created. Commentary And Sanjh Khile Bhor Jharay is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Commentary And Sanjh Khile Bhor Jharay by Hemant Kumar, Ranu Mukherjee, Ameen Sayani, Raghunath Seth, Dheeraj to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bole Re Papihara | Vani Jairam | D♭ Minor | 7 | 12A | 89 BPM | ||
| Lakhon Hain Yahan Dilwale | Mahendra Kapoor | A♭ Major | 4 | 4B | 98 BPM | ||
| Saphal Hogi Teri Aradhana | S. D. Burman | F Major | 2 | 7B | 111 BPM | ||
| Kahan Se Aaye Badra | Haimanti Sukla, K. J. Yesudas | D♭ Minor | 4 | 12A | 86 BPM | ||
| Jeeye to Jeeye Kaise (From "Saajan") | Pankaj Udhas | C Major | 5 | 8B | 129 BPM | ||
| Chaudhvin Ka Chand Ho (From "Chaudhvin Ka Chand") | Mohammed Rafi | G Major | 3 | 9B | 98 BPM | ||
| Mana Ho Tum Behad Haseen | K. J. Yesudas | B Minor | 4 | 10A | 106 BPM | ||
| Awaz De Kahan Hai | Noor Jehan, Surendra | E Major | 2 | 12B | 76 BPM | ||
| Commentry Tabassum And Zindagi Pyar Ka Geet Hai | Tabassum, Kishore Kumar, Usha Khanna | F♯ Major | 4 | 2B | 87 BPM | ||
| Bose Achhi Path Cheye | Hemant Kumar | E♭ Major | 3 | 5B | 149 BPM | ||
| Koi Gata Main So Jata | K. J. Yesudas | D Major | 3 | 10B | 87 BPM | ||
| Ek Din Bik Jayega Mati Ke Mol (Happy) | Mukesh | D♭ Major | 5 | 3B | 93 BPM | ||
| Prem Jogan Ban Ke | Bade Ghulam Ali Khan | E Minor | 6 | 9A | 170 BPM | ||
| Tera Naam Liya | Manhar Udhas, Anuradha Paudwal, Laxmikant–Pyarelal | F Minor | 8 | 4A | 131 BPM | ||
| Ghum Ghum Chand Jhikimiki Tara | Sandhya Mukherjee | C Major | 1 | 8B | 112 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM | ||
| Khushiyan Hi Khushiyan | K. J. Yesudas, Banasree Sengupta, Hemlata | G Minor | 6 | 6A | 109 BPM | ||
| Ab Kya Ghazal Sunaoon | Talat Aziz | E♭ Major | 3 | 5B | 92 BPM | ||
| Commentary Tabussum And Mere Angne Mein - Laawaris | Tabassum, Amitabh Bachchan, Kalyanji-Anandji | B Minor | 5 | 10A | 119 BPM | ||
| Aapki Yaad Aati Rahi Raat Bhar | Chhaya Ganguli | F Minor | 3 | 4A | 133 BPM | ||
| Laga Chunari Men Daag | Manna Dey, Roshan | A♭ Minor | 7 | 1A | 84 BPM | ||
| Yeh Jo Mohabbat Hai | Kishore Kumar, R. D. Burman | G Minor | 3 | 6A | 126 BPM | ||
| Dil Ki Yeh Arzoo Thi | Mahendra Kapoor, Salma Agha | E♭ Major | 3 | 5B | 103 BPM | ||
| Chandni Aai Ban Ke Pyar | Shamshad Begum, Shakeel Badayuni | D Major | 4 | 10B | 88 BPM | ||
| Julie Julie | Anu Malik, Kavita Krishnamurthy | A Major | 9 | 11B | 99 BPM |