Saron Gas's ' "Stay and Play" was released on its scheduled release date, November 1, 2000. Stay and Play is considered explicit and may contain foul language. This song is about 3 minutes and 7 seconds, which is about the average length of a typical song. The song is number 9 out of 15 in Fragile by Saron Gas. Going off of the ISRC code of this track, we detected that the origin of this track is from South Africa. The popularity of Stay and Play is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Stay and Play by Saron Gas is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nowhere To Go | Mushroomhead | F Minor | 9 | 4A | 144 BPM | ||
| Tonight (The Goodnight King) | Second Coming | A♭ Major | 8 | 4B | 168 BPM | ||
| Walls of Innocence | Egypt Central | E Major | 9 | 12B | 96 BPM | ||
| Travisty | Second Coming | A♭ Major | 8 | 4B | 168 BPM | ||
| Bombz | Lo-Pro | C Major | 8 | 8B | 160 BPM | ||
| Here, Nearby | Grey Daze | A Major | 9 | 11B | 108 BPM | ||
| Old Man | Stereomud | G Major | 10 | 9B | 178 BPM | ||
| Quitter | Edgewater | A♭ Major | 9 | 4B | 111 BPM | ||
| Lost in the Crowd | Shinedown | D Minor | 7 | 7A | 110 BPM | ||
| So Little Time | Operator | D Minor | 7 | 7A | 157 BPM | ||
| The Departed | Sully Erna, Lisa Guyer | A Minor | 8 | 8A | 120 BPM | ||
| Bid Farewell | Five Bolt Main | F Major | 9 | 7B | 152 BPM | ||
| Waters Rise | Saturate | E♭ Minor | 9 | 2A | 91 BPM | ||
| Growing Old | A Pale Horse Named Death | E♭ Major | 8 | 5B | 119 BPM | ||
| Time For People | Atomship | D Minor | 9 | 7A | 122 BPM | ||
| Dos | Chevelle | D Major | 4 | 10B | 82 BPM | ||
| Human After All | Cinder | A♭ Major | 10 | 4B | 85 BPM | ||
| The Banded | The Narrow | E Major | 6 | 12B | 110 BPM | ||
| Misunderstood | Seether | F Major | 5 | 7B | 180 BPM | ||
| Broken Compass | Five Bolt Main | G Minor | 8 | 6A | 151 BPM | ||
| Hindsight | Dry Kill Logic | A♭ Major | 10 | 4B | 86 BPM | ||
| Seizures | ... Bender | B♭ Major | 8 | 6B | 161 BPM | ||
| City Beneath | Revis | G Major | 9 | 9B | 184 BPM | ||
| The War | Second Coming | A♭ Major | 8 | 4B | 168 BPM | ||
| Seventh Wave | Institute | E♭ Minor | 7 | 2A | 119 BPM |