On May 1, 1973, the song "After Closing Time" was released by David Houston, Barbara Mandrell. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. After Closing Time's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Midnight Oil (Expanded Edition)". In this album, this song's track order is #15. After Closing Time is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With After Closing Time by David Houston, Barbara Mandrell having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Talk Back Trembling Lips | Ernest Ashworth | A Major | 5 | 11B | 136 BPM | ||
| Ain't You Even Gonna Cry | Johnny Russell | F Major | 3 | 7B | 79 BPM | ||
| Drinkin' Them Beers | Tompall & The Glaser Brothers | A Major | 4 | 11B | 75 BPM | ||
| Mr. Record Man | Jeannie Seely | A Major | 6 | 11B | 115 BPM | ||
| Borrowed Angel | MEL STREET | E Major | 3 | 12B | 105 BPM | ||
| Blue Side of Lonesome | Jim Reeves | A Major | 3 | 11B | 95 BPM | ||
| Don't Touch Me | Jeannie Seely | E Major | 1 | 12B | 106 BPM | ||
| (After Sweet Memories) Play Born To Lose Again | Dottsy | G Major | 3 | 9B | 106 BPM | ||
| The D.J. Cried | Ernest Ashworth | E Major | 4 | 12B | 125 BPM | ||
| Send Me the Pillow You Dream On (feat. Jim Ed Brown) | The Browns, Jim Ed Brown | B Major | 3 | 1B | 100 BPM | ||
| Charlie's Shoes - Remastered | Billy Walker | A Major | 5 | 11B | 142 BPM | ||
| Heart, We Did All That We Could | David Houston | F♯ Major | 4 | 2B | 115 BPM | ||
| You Make Me Feel More Like A Man | MEL STREET | F♯ Major | 5 | 2B | 93 BPM | ||
| For the Good Times | Ray Price | E♭ Major | 2 | 5B | 84 BPM | ||
| My Woman's Good to Me | David Houston | D♭ Major | 3 | 3B | 89 BPM | ||
| Jackson Ain't a Very Big Town | Johnny Duncan, June Stearns | C Major | 4 | 8B | 95 BPM | ||
| When A Tear Becomes A Rose | Eileen King | F Major | 3 | 7B | 103 BPM | ||
| Who Will Buy The Wine - Single Version | Charlie Walker | F♯ Major | 3 | 2B | 64 BPM | ||
| Honky Tonkitis | Carl Butler | A♭ Major | 3 | 4B | 126 BPM | ||
| (Jeannie Marie) You Were A Lady | Tommy Overstreet | F Major | 4 | 7B | 186 BPM | ||
| Picture in a Frame | Stella Parton | F♯ Major | 5 | 2B | 117 BPM | ||
| I Don't Believe I'll Fall in Love Today | Warren Smith | E Major | 4 | 12B | 114 BPM | ||
| If You Leave Me Tonight I'll Cry | Jerry Wallace | D Major | 2 | 10B | 117 BPM | ||
| Parade of Broken Hearts | Ned Miller | E Major | 4 | 12B | 114 BPM | ||
| Am I That Easy To Forget | MEL STREET | C Major | 3 | 8B | 77 BPM |