Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: III. Adagio by Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau Song Details

"Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: III. Adagio" by Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau had its release date on January 1, 2002. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Valentini: Concerti grossi, Op. 7 (Alpha Collection) by Giuseppe Valentini, Ensemble 415, Chiara Banchini. The song's track number on the album is #10 out of 31 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: III. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: III. Adagio by Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: III. Adagio being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -17.233 dB
Acousticness: 45%
Danceability: 28%
Energy: 5%
Instrumentalness: 3%
Liveness: 18%
Loudness: 71%
Speechiness: 4%
Valence: 11%

Recommendations

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Concerto Grosso in D Major, Op. 3, No. 1: III. Adagio	Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek	B Minor	1	10A	114 BPM
Sinfonia No. 6 in G Minor, Op. 5: I. Allegro	Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte	B Major	3	1B	151 BPM
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: V. Allegro assai	Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau	F♯ Major	3	2B	124 BPM
Concerto Grosso in B-Flat Major, Op. 1, No. 3: II. Allegro	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	E Minor	1	9A	101 BPM
Allegro	Nicola Matteis, Gli Incogniti, Amandine Beyer	E♭ Minor	3	2A	131 BPM
Trio Sonata in B Minor, H. 567: III. Presto	Carl Philipp Emanuel Bach, Lisa Batiashvili, Emmanuel Pahud, Sebastian Klinger, Peter Kofler	A Major	2	11B	110 BPM
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato	Alessandro Marcello, Amandine Beyer, Gli Incogniti	B Minor	3	10A	118 BPM
Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: IV. Allegro	Tomaso Albinoni, Ensemble 415, Chiara Banchini	A♭ Major	3	4B	132 BPM
Concerto Armonico No. 2 in B-Flat Major: Allegro moderato	Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon	E Major	4	12B	106 BPM
Concerto for Violin, Trumpet, Cello, Strings and Basso Continuo in D Major, TWV 53:D5: I. Vivace	Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck, Ute Hartwich, Katharina Litschig	D♭ Major	2	3B	115 BPM
Mystery Sonata No. 2 "The Visitation": II. Allaman - III. Presto	Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia	A♭ Major	1	4B	95 BPM
Occhi	Renzo Massarani, Claudia Marie-Thérèse Hasslinger, Gregorio Nardi, Manuel Bandeira, Cleómenes Campos, Giuseppe Valentini	F Minor	1	4A	78 BPM
Overture No. 6 in B-Flat Major: III. Allegro	Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo	F♯ Major	1	2B	117 BPM
Concerto Grosso in C Minor, Op. 1, No. 2: I. Adagio	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	C Minor	3	5A	155 BPM
Sinfonia Doriclea	Francesco Cavalli, Musica Sequenza, BURAK	F♯ Minor	1	11A	75 BPM
Concerto 1 in D Minor, Op. 7: I. Allegro	Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen	D♭ Minor	2	12A	92 BPM
Overture in G Minor: VI. Aria	Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks	F♯ Minor	1	11A	140 BPM
Cello Sonata No. 10 in E Major, Op. 8: II. Allegro (Arr. Alfredo Piatti)	Giuseppe Valentini, Alexander Rudin, Lidiya Evgrafova	E Major	1	12B	97 BPM
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro	Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini	E♭ Minor	2	2A	115 BPM
Chacony in G	John Blow, Musica Antiqua Köln, Reinhard Goebel	F♯ Major	2	2B	120 BPM
Concerto Grosso in G Minor, Op. 3, No. 2: I. Largo e staccato	Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek	G Minor	2	6A	85 BPM