Elaine Stritch's 'That's The Beginning Of The End' had a release date set for July 18, 1995. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Stritch". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, That's The Beginning Of The End's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With That's The Beginning Of The End by Elaine Stritch having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Something Very Strange | The Original Cast Of 'Sail Away', Elaine Stritch | E♭ Major | 1 | 5B | 77 BPM | ||
| Midnight Mimosa Memories | WENDO KEN | D Major | 3 | 10B | 105 BPM | ||
| You Ought to Be in Pictures | Bert Ambrose Orchestra, Dana Suesse | C Major | 3 | 8B | 122 BPM | ||
| You Must Believe in Spring | Lucía | F Minor | 0 | 4A | 79 BPM | ||
| Musica Para Jugar Fallout | Jazz Clasico, Jazz Retro, Musica De Los 50 | B♭ Major | 3 | 6B | 94 BPM | ||
| Deep Purple | Bea Wain | G Major | 1 | 9B | 132 BPM | ||
| Feudin' And Fightin' | Dorothy Shay The Park Avenue Hill Billie | G Major | 0 | 9B | 103 BPM | ||
| Lulu's Back In Town | Mael Tormé, The Marty Paich Dek-tette | E♭ Major | 3 | 5B | 168 BPM | ||
| Welcome To The Theatre | Charles Strouse, Lauren Bacall | B Major | 3 | 1B | 120 BPM | ||
| Diamonds Are A Girl's Best Friend | Carol Channing | G Major | 5 | 9B | 107 BPM | ||
| Sombra de lo que fue y ya no es | Eterna Ceniza | A Major | 3 | 11B | 95 BPM | ||
| What Is There To Say? | Dorothy Dandridge | E♭ Major | 1 | 5B | 70 BPM | ||
| Mountain Greenery | Ella Fitzgerald | G Major | 2 | 9B | 135 BPM | ||
| There's a Lull in My Life | Carroll Gibbons, The Savoy Hotel Orpheans | F Minor | 4 | 4A | 180 BPM | ||
| Nobody Knows You When You Are Down And Out | Louis Jordan | G Major | 3 | 9B | 111 BPM | ||
| To Each His Own - Restored 2024 | The Ink Spots | B♭ Major | 0 | 6B | 70 BPM | ||
| Inside a Silent Tear | Sonny Lester | F Major | 2 | 7B | 110 BPM | ||
| Summer Romance | Debbie Reynolds | F♯ Major | 3 | 2B | 99 BPM | ||
| Chalk Dust | nguyentuan0108 | C Major | 3 | 8B | 75 BPM | ||
| Nothing on My Mind | Mira Rae | C Major | 2 | 8B | 90 BPM | ||
| Are You Having Any Fun | Elaine Stritch | D Major | 7 | 10B | 86 BPM | ||
| Hearts Entwined | Playing From Another Room | F Minor | 4 | 4A | 74 BPM | ||
| From This Moment On | Ann Miller, Tommy Rall, Bobby Van, Bob Fosse | E♭ Minor | 4 | 2A | 144 BPM | ||
| Train Wrecked Dining Car | Caity Gyorgy, Mark Limacher | B♭ Minor | 4 | 3A | 176 BPM | ||
| That My Boy | Elaine Stritch | C Major | 4 | 8B | 76 BPM |