Peter Heidrich, Lui Chan, Pierre Cochand, Kammerorchester Ensemble Classico's 'Happy Birthday: Variation 2 (After J. Haydn)' had a release date set for 2002. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lui Chan, Pierre Cochand, Kammerorchester Ensemble Classico's "Happy Birthday Variations and Highlights from the Classic" album is number 3 out of 25. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Happy Birthday: Variation 2 (After J. Haydn) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Happy Birthday: Variation 2 (After J. Haydn) by Peter Heidrich, Lui Chan, Pierre Cochand, Kammerorchester Ensemble Classico to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Verbunkos Suite: II. Fresh Hungarian | Rezső Kókai, Ágnes Szakály, Miskolc Symphony Orchestra, Laszlo Kovacs | D Major | 1 | 10B | 59 BPM | ||
| Tulpen aus Amsterdam | The Royal Wind Music | A♭ Major | 1 | 4B | 83 BPM | ||
| Symphony in C Major, GB 115: I. Allegro vivo | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 80 BPM | ||
| Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
| Il Signor Bruschino: Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | A Major | 3 | 11B | 125 BPM | ||
| Piano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice - Prestissimo | Pyotr Ilyich Tchaikovsky, Beatrice Rana, Antonio Pappano, Orchestra dell'Academia nazionale di Santa Cecilia | D♭ Major | 0 | 3B | 115 BPM | ||
| Im Romanischen Café | Gerhard, Mohr | G Major | 1 | 9B | 88 BPM | ||
| Swedish Rhapsody | Hugo Alfvén, Percy Faith, Iain Sutherland Concert Orchestra, Iain Sutherland | D Major | 3 | 10B | 110 BPM | ||
| Aufforderung zum Tanz, Op. 65 (Orch. Berlioz) | Carl Maria von Weber, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 111 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | D Major | 2 | 10B | 96 BPM | ||
| The Duke of Plaza Toro | Olive the Otter Dog | B♭ Major | 4 | 6B | 96 BPM | ||
| Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
| Pizzicato from 'Sylvia' | London Philharmonic Orchestra | A♭ Major | 0 | 4B | 109 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Aldo Ciccolini, Alexis Weissenberg, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | A Minor | 0 | 8A | 86 BPM | ||
| Russian Romances and Folksongs - Arr. Gesine Tiefuhr: "Ne tron' menja, ved' mogu vosplamenitca" (Do not touch me, lest I turn to flame) | Traditional, Boris Christoff, Balalaika Orchester Dima Liakhoff, Dima Liakhoff, Michael Achilles, Jürgen Brüggebors, Gaston Maugras, Herve Le Floch, Peter Heidrich, Emilia Baranowska, Jean-Marie Gemard, Gesine Tiefuhr | E Minor | 1 | 9A | 174 BPM | ||
| Kobenhavns Jernbanedamp Galop (Copenhagen Steam Railway Galop): Kjobenhavens Jernbane-Damp-Galop | Hans Christian Lumbye, Slovak State Philharmonic Orchestra, Mika Eichenholz | E Major | 2 | 12B | 82 BPM | ||
| 6 Miniatures (Arr. T. Batiashvili for Violin & Orchestra): No. 2, Suliko | Sulkhan Tsintsadze, Lisa Batiashvili, Georgisches Kammerorchester | A Major | 0 | 11B | 131 BPM | ||
| Le carnaval des animaux, R. 125: No. 13, Le Cygne | Camille Saint-Saëns, Ross Pople | G Major | 0 | 9B | 109 BPM | ||
| Kreisler: Marche miniature viennoise (Arr. Lehn for Trumpet and Orchestra) | Fritz Kreisler, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | D Major | 1 | 10B | 100 BPM | ||
| "Happy Birthday" Variations: Variation nach Joseph Haydn | Peter Heidrich, Kremerata Baltica, Gidon Kremer | C Major | 0 | 8B | 140 BPM | ||
| The Comedians, Op. 26: Galop | Dimitri Kabelevsky, Berlin Symphonic Orchestra, Gerhard Becker | C Major | 0 | 8B | 97 BPM | ||
| Wedding Day of Troldhaugen op. 65 Tempo di Marcia un poco vivace | Academy of St. Martin in the Fields | D Major | 0 | 10B | 113 BPM | ||
| Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: II. Polka | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Major | 1 | 8B | 131 BPM | ||
| Musikalische Schlittenfahrt: 6. Andante, sempre piano: Das schüttelnde Pferd | Leopold Mozart, Ensemble Eduard Melkus, Eduard Melkus | F Major | 0 | 7B | 136 BPM | ||
| Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marylene Dosse, Annie Petit, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | G Major | 1 | 9B | 83 BPM |